+ Her Barefoot Heart

Tag: stitchings (Page 8 of 36)

a weekend well spent

dolly parton sings “it’s just a little bitty puissant country place, nothin’ much to see.” the words she uses to describe what is reported to be the best little whorehouse in texas are the same words i use to describe The Dissenter’s Chapel (a.k.a. my studio).

(but i don’t sing it.)

(you’re welcome.)

Andybuilds

Before1

Cubby2

i spent the weekend (re)organizing my studio for the umpteenth time
after andy (my fabulous husband)
built me some cubbies that my fabric now calls home.
in a studio this small,
when you move one thing,
you move everything.
and everything must serve multiple uses.

Quiltbase1

quilts, for example,

Mannequin2

become a pedestal for the mannequin that wears not one but two party frocks.
(there’s another one underneath this periwinkle beauty.)

having so much in plain sight
makes for a constant battle between
inspiration
and visual clutter.
on my list of things to think about
is how to attach a shade to the
new cubbies.
maybe i can even find a way for it
to double as a designing wall.

Flower2

Flower3

even with all the reorganizing,
i still took walks
to get my steps in, you know

Iool3

and i finished
stitching all the drawings (271, but who’s counting)
for In Our Own Language 3.

Iool3borderfabricandthread

tomorrow i start fiddling around
with this fabric and this hand dyed thread
to figure out the border.

in the home stretch . . . well actually, sliding into third base is more like it

Iool31

as i stitch, i wonder what nancy’s thinking as she draws.
what she’s trying to say.

Iool3b

i marvel at how most of her drawings are one stroke.
she puts the pen to the paper
and doesn’t pick it up till she’s finished
with that particular drawing.
the “x” tells me which side is the top.

i have 37 of the 271 drawings left to stitch
on In Our Own Language 3.
if i stitch 4 drawings a day, i’ll be starting on the border before the end of the month.
join me in a squeal of excited anticipation?

Bigassmoth

miss luna moth came to visit my studio last week.
thank goodness she stayed on the other side of the glass
cause you know: moths and cloths don’t exactly go together like a horse and carriage.
but then i guess that depends on whether you’re asking me or the moth.

///

susan lenz, one of the most prolific artists i know,
tagged me in her blog post today. go here
to read more about her process and what she’s currently up to
(she really does turn the proverbial sow’s ear into a silk purse.)
and stop back by next monday when i’ll answer the questions
about process and productivity.

getting organized and taking stock

Stackofnancysdrawings04july2014

where other girls wore pretty necklaces and lanyards they braided at summer camp, i wore the cutest little brownie camera you ever saw. you know, the kind you had to lick the base of the flash bulbs to ensure they’d go off when you snapped a picture. i guess i’ve always been the family historian, and once upon a decade, i earned my living as a personal historian, recording stories about a person, then sifting through their photos and documents, eventually pulling everything together into a book.

at the suggestion of several people i met at that workshop a few weeks ago, i’ve started writing a book about nancy. one day last week i took stock of her drawings. turns out i have 11 sets (remember, a set = the drawings i bring home from a visit with her), and the numbers look like this:

set 1 – 6/2012 – 167 drawings
set 2 – 8/2012 – 454 drawings
set 3 – 10/2012 – 271 drawings
set 4 – 11/2012 – 94 drawings (we were with her only one day that time)
set 5 – 3/2013 – 162 drawings
set 6 – 3/13/2013 to 7/13/2013 – 366 drawings (these are drawings she made at her day program
set 7 – 7/2013 – 35 drawings
set 8 – 7/2013 to 11/2013 – 279 drawings
set 9 – 11/2013 – 102 drawings
set 10 – 12/2013 to 6/2014 – 889 drawings (yes, really)
set 11 – 6/2014 – 257 drawings

i ordered binders and page protectors to store them in instead of the rubber band method currently in use. next week, i’ll get them in the binders, and i’ll scan the sets i haven’t yet scanned. i’m kinda’ excited to be able to look at the drawings while slipping through a book. every time i look at them through a different lens, i see different things.

Iool3b

meanwhile, i continue working on In Our Own Language 3. last week i figured i could have it completed by the end of july. now that’s funny and proof that i live in a fantasy world.

A Barn Dance, Kinda’

Barn2

Barn1

Iool1complete3

Iool1complete2

Today The Engineer took me out behind the barn –
Okay, he took me over TO the barn,
where we hung In Our Own Language #1

Iool2complete1

Iool2complete5

and In Our Own Language #2.

Iool2complete4

It is the first time I’ve seen
all three panels of
In Our Own Language #1 hung together,
and it is the first time I’ve seen
In Our Own Language #2 at all
because our ceilings are quite low
and we don’t even have enough floor space
for me to spread it out on the floor and
climb in a chair for a look.

A neighbor came by to see what we were doing
and declared the cloths “pretty”.
It was obvious he was eager
to get back to playing on
his new toy: the cutest little backhoe you ever saw.

Iool1closeup10

In Our Own Language #1 is Nancy’s first set of drawings.

Iool1closeup5

She drew them in June 2012.

Iool1closeup2

There are 167 drawings in set 1.

Iool2closeup5

In Our Own Language #2 is her second set of drawings

Iool2closeup7

created in August 2012.

Iool2closeup1

There are 454 drawings in set 2.

It was quite thrilling, really.

communion 10

Andytiesknots

today, while the engineer tied knots
(i’m always impressed with all the things he learned
while under the tutelage of the Boy Scouts and his dad)
so our daughter and her friend could do this:

Lake10

and i could ride around and feast on this:

Lake11

and, this,

Lake3

(which is an art installation, if you ask me
’cause i just have a thing for fabric
fluttering in the breeze)
i tied my own knot.
well, knots, actually
several of them,
taking Communion 10 from this:

Communion10before2

to this:

Communion10after2

when lisa call saw the “before”,
she said she kept wanting to
pull the blue swath down.
rather than remove all those french knots,
i decided to add a piece of blue,
and now it feels more balanced.
anchored.
complete.

~~~~~~~

the Communion series
is a selection of
non-representational representations
of conversations with my
developmentally disabled
sister-in-law, nancy.

It’s Not That They’re Not Cute, but . . .

Iool3a

I’d just never make a good hamster, running around on that same wheel day in and day out. Living in that well-lit but tiny little castle. No lists of things to mark through to make me feel productive, like I’ve accomplished something. I’d be cranky, real, real cranky.

So when I’m stitching one of the In Our Own Language pieces – the series in which I stitch every single one of Nancy’s drawings* – I create a system or risk shopping for sales of bales of cedar shavings to stuff in my pillowcase and socks.

There were 167 drawings in In Our Own Language 1; 454 in In Our Own Language 2; and 271 in In Our Own Language 3 (I’m currently working on IOOL 3). Now it’s true that 271 sounds like not so much after stitching 454, but I get discouraged rather quickly. I need traction, so here’s what I do:

System2

I divided the drawings into groups of 50, putting each group into a separate envelope. Manageable milestones, you know. Markers. Attainable bites of the elephant. Then I set a goal of stitching a minimum of 25 drawings each week**, and I track my progress by logging the date and the numbers on the envelope. I also note the time spent stitching so I can estimate how long it takes me to stitch each drawing – that’s just for my own interest. And to maybe offer as bonus points on any pop quiz I toss out. I’m bad to do pop quizzes.

So now you have it: Jeanne’s Anti-Hamster System. Maybe tomorrow I’ll tell you a bedtime story about the actual stitching. Or maybe I’ll just bring you a glass of warm milk. We’ll see.

~~~~~~~

* Nancy is my 54 year old developmentally disabled sister-in-law. Every time we visit Nancy, she draws, and I bring home those drawings and stitch each drawing in the set, then each set becomes a cloth in the In Our Own Language series. Said another way: she draws, I stitch, we collaborate.

** I can usually stitch more than 25 in a week (even when traveling), but I don’t want to set myself up to fail, so I shoot in the medium range and treat it like I do my walking: my official goal is 10k steps a day, but my actual, unpublished (till now, anyway) goal is 12,500 steps/day. Why don’t I change the goal to 12,500, you might ask. Because I’m a sucker for the “You’re such an overachiever, Jeanne” messages my fitbit sends when I get over 10k steps.

communion #13 takes the stage

Communion13h

according to merriam-webster.com, communion means:

Communion13a

. . . a close relationship with someone or something

. . . an act of sharing

Communion13f

. . . intimate fellowship and rapport

. . . a friendly relationship marked by harmony

this is the 13th in a series i dubbed Communion.
each piece is a visual non-representational representation of what a conversation with nancy is like.

Communion13b

“accord” is a synonym for “communion”, and it means to give to someone or something.
It is a middle english word that found its way into being from the latin word for heart.

Communion13d

this series keeps me sane because i can start and finish in less than one week (i’m the poster girl for accomplishment-oriented folk) and because i get to grapple. trust me when i tell you that every conversation with nancy involves grappling.
grappling is good for the soul.

The Same . . . But Different

Kantha3

Kantha1

(Above photos of kantha stitching by Dorothy Caldwell herself, used here with permission)

Dorothy told us about the women of Bihar, India and how they were under cultural house arrest until one day they decided to go outside and talk to each other about their stitching. The men were nervous – very nervous – until they began to hear the whispers of ka-ching, ka-ching. Once the women huddled-up, they set about changing their lives, their families’ lives, their future’s lives.

For example, knowing that the dwindling profits from fishing were dwindling, they came up with a solution and every day for three months, the women entered the river and pulled the overgrown plants by hand, allowing the fish room to grow and multiply. They tell this story and many, many other stories in stitch using the basic running stitch – in and out, up and down. The kantha stitch they call it, and they use it brilliantly to record their history artfully.

After hearing about these women and seeing examples of their glorious quilts, I set about using the kantha stitch for one of Nancy’s drawings from In Our Own Language 3. I usually use, well, I’m not sure what it’s called, but it’s a basic stitch that I use to trace each drawing, to recreate Nancy’s drawing as a line drawing in stitch. I found using the kantha stitch with colored thread a playful way to stitch Nancy’s drawings, and I ‘spect you’ll see more of the colorful kantha pieces in the future.

Dcaldwellkantha1

Iool3b

Ioolkantha1

Presented here, separately then side by side, are two stitched versions of the same drawing. Same drawing, different looks. The plant? It’s a moon flower, a little something my husband surprised me with from this morning’s pre-workshop romp through the New Albany Farmer’s Market.

Before we thread our needles this morning, Dorothy invited me to talk about Nancy and how she draws and I stitch. I showed them In Our Own Language 3 which is not even half finished yet, and let me tell you: the open, loving reception and the ensuing stories they sprinkled on me throughout the day will warm my heart for a long, long time.

The women of Louisville Area Fabric and Textile Artists (LAFTA), who made this workshop happen, are some of the most hospitable, engaging, talented, interesting, supportive women I’ve happened upon in a long, long time. Mega, uber thanks to Kathy Loomis, Dorothy Caldwell, MJ Kinman (who will soon have a blog for me to direct you to), Rosemary Claus-Gray, Joanne Weis, Linda Henke, Linda Fuchs, Sue Yung, Marti Plager, Linda Theede, and Debby Levine for making this such a marvelous, magical time. And, as I told Dorothy as I hugged her ‘bye, I’m not much of one for sheri worship, but if I was, she’d be The One.

look closely and you just might catch a glyphs of it

Judaculla1

Judaculla Rock, a boulder covered with petroglyphs is not far from where we live.

Judacullafield

We had trouble finding it . . . probably because it is right out in the middle of a field. Hidden in plain view.

Judaculla2

Archaeologists estimate that most of these glyphs are between 300 and 1500 years old. It is thought that this petroglyph is on the site of a council house mound and served as a boundary marker for Cherokee hunting grounds which were closely guarded by the legendary giant and master of animals, Judaculla.

Iool3a

(In Our Own Language 3.79)

Iool2b

(In Our Own Language 2.2)

Iool3d

(In Our Own Language 3.102)

Iool3

(In Our Own Language 2.2)

Iool3e

(In Our Own Language 3.56)

As we walked around the rock, I was taken with the similarity between these drawings and Nancy’s drawings, finding both evocative and an invitation to introspection and wonder.

I am tickled beyond description to be participating in a two-day workshop with Dorothy Caldwell exploring human marks and expressive stitching. I’ve long admired her work and though our work varies in its theme, focus, and purpose, I am hoping to conjure ideas (as in be inspired) for faster and creatively intriguing ways to present Nancy’s work. In her talk tonight, Dorothy showed photos of petroglyphs she saw while working in the Outback of Australia, many bearing a striking resemblance to those on the Judaculla Rock.

Iool3f

(In Our Own Language 3.260)

Most petroglyphs tells the story of the people who lived there; some offer directions, warnings, or blessings. often wonder what Nancy is saying with her drawings, with her marks. My theory is that she’s expressing her emotional response to what’s happening around her.

In Our Own Language, indeed.

the janus approach

Rinsecycle7a

we trekked to the cemetery, that stormy morning in april, in search of tombstones to rub, transferring their images to our cloths. as we pulled away from art camp with susan lenz two days later – i mean, we were literally about to back out of the parking lot – i got a call that my friend valerie along with her husband and their daughter had died when their house burned.

who knew cloth could commit foreshadowing . . .

Rinsecycle7b

right on the heels of that, another call that my 32 year old cousin billy – who, over the past 14 months had endured everything science had to throw at his cancer and was waiting for tests in june that would determine the success of those treatments – was not doing well. in less than 2 weeks, he went from eating a bowl of grits at the kitchen table to back in the hospital for more tests. that was saturday, 4/26. on monday (4/28) came the news that the cancer had spread to his brain. on tuesday (4/29) came the news the cancer had spread to his spine. a week later on sunday (5/4), billy was moved to hospice. last night he took his last earthly breath.

“come make him laugh,” his mother mary said when she called me. my husband, mother, and i spent that wednesday afternoon at his bedside telling the old familiar family stories. legends, really. i told the same ole’ stories – even used the same ole’ words – and we still laughed till our sides split. stories are like that.

days later, his mother pulled her chair up close to billy’s bed and let the memories spill right out of her heart. for more than two hours, she told billy good memories she has of him. “i just wanted him to go out with lots of good memories,” she told me. i don’t know about you, but i can’t think of a finer send-off.

he’s only 32. billy is only 32 years old, and i just want to go on record saying that i find it especially cruel that a mother has to bury a child (especially so close to mother’s day) and that a 32 year old as good and fine as billy should die in the spring.

Rinsecycle7h

today we bury another cousin, a quiet man who served in the vietnam war. he didn’t raise his hand to go, but when he was called, he went. my last memory of theron is of him telling stories about our grandparents. i was throwing a family reunion in my backyard, and i’d asked everybody to jot down their memories of grandmother and granddaddy so i could include them with the cookbook of grandmother’s recipes i’d created. not much of a writer, theron called me and talked for more than 3 hours, spilling one precious memory after another. to this day, i cherish those hours spent sitting on the back deck, looking around at all that needed to be done in preparation for the reunion, but not even really seeing it as i trekked down memory lane with theron.

Rinsecycle7e

it’s been an emotionally rough spring.

Rinsecycle7i

that’s not the whole story, though . . .

i just got a text message from my sister-in-law, carole, that her daughter/my niece will not be having her baby today – her labor will not be induced, anyway. we’ll just have to see what mother nature has to say about things.

tomorrow we celebrate the anniversary of my beautiful, precious daughter’s birth. on March 19 of this year, she had a partial thyroidectomy. she’s an actor and a singer, so of course we were on pins and needles about someone cutting on her throat. but my brother-in-law donn steered us to a surgeon who did an outstanding job as you can very well hear for yourself.

later this month we’ll join in merriment and shenanigans when my son kipp married the lovely and long-necked marnie. you’ll surely be hearing more about this as the days roll on. (i’m “foreshadowing” over on facebook, if you’d like to connect there. you’ll need to be logged in for the link to work.)

Rinsecycle7g

we have memories. oh good lord, do we have memories – and that’s something you just can’t buy, regardless of how much money you have. memories . . . stories . . . those are treasures far greater than any amount of gold or silver or real estate. greater than any fleet of planes or drawers of diamonds or walls filled with paintings.

stories are art. so let’s get on out there and make some art today, why don’t we.

(but maybe forego the tombstone rubbings.)

(just sayin’.)

« Older posts Newer posts »