Y’all know I haven’t had a minute’s regret about launching The 70273 Project. Not a single minutes much as a nano. And yet . . . a few months ago I found myself going splat.
Splat, I tell you.
I lost myself in the forest of systems and forms and communications and tallying and spreadsheets and planning. I was putting in the hours, but I just couldn’t catch up – something that wears heavily on an accomplishment-oriented gal – and the next thing you know, I caught myself mourning.
I mourned the loss of my sense of humor. I mourned the loss of my creativity. I mourned the loss of my Self. Never one to stew in a vat of victim-flavored self pity for long, I started poking around, and when I found a Call for Entries for an exhibit at the Ross Art Museum called See My Voice, I sprang, took photos, completed the application, and mashed the Submit button. Several weeks later, the email came: 2 out of the 3 pieces I submitted were juried in!
Meet In Our Own Language 3
and Apocrypha 4
For those of you who don’t know, since June 2012, I stitch the drawings – the marks – made by my sister-in-law Nancy. Every time we visit her (about every-other month), The Engineer and I leave a box or two (10ish reams) of paper and bring home the drawings she’s made since our last visit. I bring them home, archive and title them, then I set about stitching. Once I’ve stitched every drawing in a set, the piece becomes part of the In Our Own Language Series. This third piece contains 274 stitched drawings. Apocrypha 4 is a single drawing from her first set of marks.
Taking 3 of the 5 days we had at home between trips, The Engineer and I scampered up to the Ross Art Museum in Delaware, Ohio for a look-see with our own eyes. It was worth it, y’all. It was totally worth it. Not only were we accepted, our pieces hung with some exquisite pieces of fiber art created by some prestigious Makers . . .
Like Susan Shie, for example, of whom I’ve been a long-devoted fan
(And for the record, I’m pointing, not touching.)
And Maria Shell.
Color me another long-time devotee.
and Nancy Gamon: Prospecting
and Jo Thomas, Bittersweet the Rose
and Linda Strowbridge, Splintered
and Tasha Owen, Carnival
and Claire Murray Adams, Anonymous Makers
to name a few.
And though I’m certainly not looking for things to do, I’ve begun 2 more pieces that are yet to be titled and must be completed by this fall. But don’t you fret. I promise not to let The 70273 Project run completely off the rails. I’ll just pull 2-3 all-nighters every week, and y’all, losing the sleep will be totally worth it.
Then there’s In Our Own Language 16 in which we took a bit of a detour