+ Her Barefoot Heart

Category: stitchings (Page 11 of 37)

breadcrumbs

Evidence01feb14i

meet Evidence, the hymn of cloth that documents this year of my life – the year dedicated to building a body that works and a body of work – beginning on 11/15/13. (because every day is new year’s day, right?) it’s color coded by what elements constitute, for me, a day well spent:

red = moving (as in walking, yoga, etc.)
orange = making (stitching, mostly, but also collages and photographs)
aqua = marking (writing, as in journals and books and blog posts)
purple = laughing (as in the surprises and wonders of the day that don’t go unnoticed)

Evidence01feb14m

i was filled with excited anticipation when i started work on Evidence back in november, and decided to use my sewing machine (a christmas gift from my husband 40 years ago, bought and paid for with winnings from a radio show contest) instead of stitching it all by hand as is my standard, my preference, my love. it quickly turned unfun, though, on account of the bulk. and if all goes according to plan, the bulk will become greater and greater.

Evidence01feb14d

today i pushed up my sleeves and set about getting caught up. with the walking foot on the machine, i put an audio book on and started, telling myself that i would not abandon this project and i would make this enjoyable and worthwhile. period.

as i sewed, i noticed that i had a tendency to push and pull the fabric in an effort to speed things up. sewing was much easier and more enjoyable when i relaxed and worked with the machine instead of against it. ditto when i quit disregarding and underestimating the flexibility and forgiving nature of fabric – when i let it be what it is instead of trying to make it something else, like a glass or an egg. this may be a transferable epiphany.

///

later, along comes this David Walcott poem titled Love After Love sent by my friend tom:

The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,

and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you

all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,

the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.

Derek Walcott

which is what often happens when you capture and preserve your life stories . . .

of rice, ducks, water buffaloes, and musical instruments

In English that’s cute and endearing (though still quite difficult to understand even after 23 years in the US) Alexander Chen (known as the Master of Hyper-Realism because of his incredible attention to detail in his paintings) told of growing up in China and how at the age of 16, the Chinese government decided he would be a professional farmer. Chen was sent to a rice paddy where he planted 1, 2, 3, 4 rice plants this way, then turned and planted 1, 2, 3, 4 plants in a different way so as to allow the wind to blow through. Every day he and his co-farmers took 2500 ducks to the farm to eat bugs, and every night they took 2500 ducks back. From watching and counting the ducks, Chen learned to tell male and female ducks apart just by their heads. There were water buffalo, too – 25 of them that had to be herded back and forth daily. The young buffaloes were bad to wander off, but they always came back to their mothers. The older buffaloes were bad to wander off and keep going as long as the food held out. The more he talked, the more it became clear where he got his incredible attention to detail.

When he settled in San Francisco, he spent $700 and bought himself a Pinto. He took the car out for a spin, and quickly learned that it was good for about 100 miles. Knowing the limits of the Pinto, he began to take car trips within those parameters, and though a teacher taught him to sing “This land is your land, this land is my land,” he, like so many 16 year olds, credits his first car with teaching him about freedom.

[ ::: ]

Iool2closeup

KrasnyanskyMusicScene

Iool2closeup2

When I left to take a walking break, I spied a painting by Anatole Krasnyansky that immediately made me think of Nancy and her drawings. Am I crazy? Maybe, but what I felt was thrilled.

[ ::: ]

Jeanne Hewell-Chambers wishes Nancy’s drawings were as revered (and sold for as much money) as Krasnyansky’s paintings.

* The Krasnyansky painting is titled Music Scene.

crossing the finish line (it only took a year)

Falls1

(view out the north window)

Falls2

(view from the south window)

A disclaimer before we begin: We live in what was once a fishing shack build on a waterfall on top of a mountain. While the scenery is hugely gorgeous, the house is small with ceilings that are unbelievably low – unbelievably, I tell you – which makes taking photos incredibly difficult. But today, I pushed everything to one side of my studio, folded down the top of each panel and let the bottom pool up on the floor, and hung each panel from the curtain rod in my studio. Despite the less than perfect situation, it was incredible being able to stand and see them hanging. It really is so different seeing the work this way as opposed to spreading it out on the floor and standing in a chair to look at it. The main thing I want you to know is that this lovely space does not offer ideal picture-taking opportunities. I trust you will take that into account and use your imagination as you look at the photos.

Iool2fullfrontall3a

In Our Own Language
3 panels, each measuring 60″ x 90″
hand stitched

In June 2012* my developmentally disabled my sister-in-law Nancy surprised and delighted me when she started drawing. I started right then stitching each drawing, eventually pulling the individual stitched renderings into a 3-panel piece I call In Our Own Language 1. It quickly became a series.

In Our Own Language 1 consists of 154 drawings. I finished those 3 panels (each measuring 59″ x 90″) just in time for them to be part of a museum exhibit in January 2012. The very weekend we delivered IOOL 1 to the museum, I began stitching In Our Own Language 2. It’s 457 drawings, and I just finished stitching this week.

Iool2 1fullfront1

In Our Own Language 2.1

Iool2 2fullfront1

In Our Own Language 2.2

Iool2 3fullfront2

In Our Own Language 2.3

The stitched drawings are arranged in the shape of a church window because with every fiber of my being, I believe creativity is sacred.

Iool2 1fullback1

Iool2closeupback5

Iool2closeupback3

Each panel is a sandwich of, starting at the bottom, a sheer window curtain, a collage of crocheted doilies,

Iool2closeupfront2

Iool2closeupfront4

Nancy’s drawings that I stitched (457 total in this set spread out among the 3 panels), and topped off with another sheer window curtain. The top curtain is from my Aunt Rene’s house. She loved Nancy, Aunt Rene did, and Nancy loved her right back. There are stains in those top sheers, and I didn’t even try to get them out.

Iool2closeupfront5

Iool2closeupfront6

Iool2closeupfront4

You know how it goes: I had this vision, then set about gathering materials needed to create it, figuring out the meaning of the vision as I stitched. For me, In Our Own Language 2 speaks to individual perspectives and interpretations and how some people tut-tut at anything that’s not considered “fine art”. “Doilies? How commonplace and frivolous,” they might say. And “You call what Nancy did ‘drawings’? Harumph.” I can just hear them – I have heard them – and that’s probably why I made these 3 church windows far too large to ignore and dismiss.

* When I merged blogs, I lost all the comments in this and other posts which is a shame because there were some good conversations that – poof – disappeared, and after a good cry and a lot of time, I just had to sigh and move on. But hey, you’ll at least get to see the post and photos.

I’m including this post as part of Nina-Marie’s Off the Wall Friday, and soon enough (hopefully before this time next year), I’ll be telling you all about In Our Own Language 3.

[ ::: ]

Now listen: If you’ve ever said you were going to get around to writing your personal and family stories, stay tuned cause I’ve got just the ticket, and I’ll be telling you about it tomorrow or the next day (though it might turn out to be Monday. You know how that goes.)

featuring a selfie, a memory (or 5), and a wish

being a stone turner of long standing,
i enjoy studying the back sides of art cloths
as much as i enjoy gazing at the front, more public, side . . .

Rinsecycle2back3

i flip The Rinse Cycle 2 (a new series) over, and i see
lush
green
growing.
i see every shade of blue
the sky has every worn.

Rinsecycle2back7

i see knots.
some of friendships – unions – marriages – new beginnings
celebrations that bring us together in festival and gladness.
i see knots of hanging on – depression – despair.
i see knots as fists, landing blows in the shape of words
and i see the knots i feel in my stomach
in the wake of the blows,
even after so much time has passed.

Rinsecycle2back1

i see trails taken
and trails not taken.

i see curves in the roads
detours
unexpected
mandatory re-routings.
who could have known?
there were no maps.
there couldn’t be.

Rinsecycle2back5

i see an undisturbed spot of aching
left empty
by those who predeceased me.
gone ahead, some would say,
passed on
left us
died.
they died and are dead.
i do not gloss over death
with prettier words
because it does not change anything
or lessen the longing.

i see those who might have died
but didn’t
and i rejoice.
oh my goodness gracious how i do rejoice.

Rinsecycle2back8

i see giant steps
and teensy tentative baby steps.
i see skips
and hops
and gallops
and waltzes.

i see crooked lines
paths that go every which-a-way,
often against the grain.

Rinsecycle2back4

i spy
rolling hills
garden spots
vast and small
planted
tended
harvested.

Rinsecycle2back14

i see hope
and life on the verge.
nay, i see life in leaps and bounds
as i stand in the present
remembering the past
and wondering with keen anticipation
and a quickening, actually
about the future.

happy new year to us all.
may we rock it
stitch it
traipse it
paint it
dance it
sing it
color it
hug it
live it
and mark it
as only we can.

the view from here . . . through nancy’s eyes

Mountains

Nancy03Dec13a

Falls1

Nancy03Dec13b

as you no doubt recall, nancy spent thanksgiving with us here, atop this mountain where our home sits perched on this waterfall. her teacher (thank you, mona) sent me these drawings made by nancy on her first day back at school after the thanksgiving break. they take my breath away. one day i’d like to see what would become of nancy’s drawings in a 3-d printer. until then, these call for some special stitching . . .

breadcrumbs 2: the paper part of it all

Evidence1a

in the timeless classic Gift From the Sea, Anne Morrow Lindbergh writes:
“What a wonderful day, I think, turning it around jun my hand to its starting point again. What has made it so perfect? Is there not some clue here in the pattern of this day? To begin with, it is a pattern of freedom. Its setting has not been cramped in space or time. An island curiously enough, gives a limitless feeling of both. Nor has the day been limited in its kinds of activities. It has a natural balance of physical, intellectual, and social life. It has an easy unforced rhythm.”

yesterday i told you about Evidence, the visual and tactile log i’m keeping of this year. what i didn’t tell you (because i couldn’t find a way to insert it seamlessly) is that the inspiration for the design of the cloth came from this moment of sky spotted while walking one day when i was trying to sort all this out:

Evidenceclouds2

Evidence1b

i’m after the same kind of day anne writes about. and because i’m on the finite side of infinity, i recently devoted a great deal of time to determining what i want to do with whatever time i have left. being a systems girl of the first order, and preferring color coded systems for visual delight as well as facility, i’ve been using color as a sorting system since dirt was a child.

my first color coded system went like this:
red = family (blood)
green = finances (the color of money)
blue = reference, factual, retrievable information (i just like blue)
yellow = opportunities, fun (sunshine)
i used these colors throughout my life – in my day planner, on file folders, on the calendar.

last year i matched what i wanted to have to show for my life to the colors of the chakra system, using the color biographies provided by my friend bridget. it looked like this:
red: movement
orange: creative pursuits, time spent in the throes of creativity
yellow: moments of spontaneity, the unexpected
green: shipping and producing
aqua: blog posts, storytelling, journal writing
pink: relating to others
violet: memorizations, reading poetry and other good books, living and creating by moon cycles

Chakracolorcode

i started keeping a book of amazements last year in which i documented each color’s contribution to that particular day. it was fun to keep, and it did keep me more focused, but there was still tweaking to be done*, so this year, i tightened the focus and streamlined the colors, allowing space for that “easy unforced rhythm” and that natural balance while still enjoying a daily sense of accomplishment:
red: movement
orange: making
aqua: marking
purple: laughing
these colors always appear in this particular order on the Evidence cloth to distinguish the days.

RED: moving
as in moving my body through space. last september, i quit wearing the fitbit (a gift from my son for Christmas 2012) as jewelry and started taking it seriously. i now walk a minimum of 12.5k steps (or 5-7 miles) every day. every. single. day. i also do the occasional yoga, and whenever possible, i take dance breaks. my goal? i want you to see less and less of me.

ORANGE: making
as in stitching or creating assemblages and collages. i log in the hours spent stitching every day and note the particular project worked on. i like to do a collage every sunday to close out the week (it’s something i can start and finish in a couple of hours), and am slowly gathering bits and oddities that i’ll use in assemblages. my goal here: building a legaSEE. we’ll talk more about this later.

AQUA: marking
as in writing, be it in a journal, a blog post, a book, or a notecard. doesn’t matter, i just know that if i miss a day of writing, i start all over when i pick the pen up again – even if there’s only a day’s gap. that’s just the way it works.

PURPLE: laughing
as in surprise, wonder, chortle – anything that ignites a sound from me that ranges from “hmmmmmm” to “oh!” to a full-body guffaw. anything that makes me giddy. for this, i make more detailed notes in purple ink in my books of amazements.

* like not having to carry 14 pens around with me (2 of each color in case one runs out of ink along the way), for example

Booksofamazement

two important notes:

1) i change, so this year i’ll keep quarterly books of amazements to give myself room to move around.

2) of course i also want an accounting of accomplishments – written testament to the annual accumulation of accomplishments – so i’ll be keeping a log of things like books read in their entirety (and reviewing them over at goodreads), projects completely finished, and miles put on my new shoes.

and, i have specific notions about what i want to turn out/produce/accomplish this year. but we’ll save that for another day.

[ ::: ]

Jeanne Hewell-Chambers is a planning, productivity junkie. She just is.

three hundred sixty-five

Heartrock4

it’s taken me a while to discover what i want in life,
to sort out the song of my heart
from the tunes of everybody else’s.
oh sure, i can tell you what They want in a snap,
but ask me what i want my life to look like,
and i drew a blank.

until now.

Chakracolorcode

because when you get right down to it,
every day is a new year’s day,
and because like my friend says,
dailiness is alchemy,
i began keeping a Book of Amazements on 11.12.12
charting daily accomplishments
in a color system that coincides with the chakras.

this year,
wanting more clarity
and more simplicity
as well as something tangible
and visual,

Evidence1b

i’ve pared down from 7 colors to 4,
each color representing an element of a perfect day
and ultimately a life of accomplishment:
red = moving
orange = making
aqua = marking
purple = laughing
and in addition to the
Book of Amazements,
i am creating an accompanying cloth called
Evidence.

i started on 11.12.13,
of course,
and now
one month and two days later,
the cloth measures
26.75″ wide by 60″ long
you can check my math,
but the answer i get is,
60 times 12
equals substantial
IF i color in my days
the way i want.

(and just so you know,
i happen to like substantial.)

. . . more soon . . .

nancy’s home for thanksgiving: a snapshot of the days

day one – 11/23/13:
(facebook post)

We have The Package, and as she’s said 572,367,892 times I’m the past 11 minutes: “I’m going home for Thanksgiving!”

Nancy23nov13

[ :: ]

day two – 11/24/13:
(facebook post)

Nancy takes a seat at the table while we fix supper. (A light supper, but you knew that because we “fixed” it.) Anyway, the elderly traumatized cat disappears; Phoebe the Corgi lays at Nancy’s feet in protective mode; and when the black cat rubs up against Nancy’s ankle, Nancy reaches down, picks him up (gently) by the tail, and repositions him away from her. Another lesson from Nancy: don’t hesitate to get things the way you want them.

[ :: ]

day three – 11/25/13
(facebook post):

Jeanne: Nancy, you’re a pretty good girl. (Important note: Being “pretty good” is the equivalent of “exemplary” in the Nancy Rating System.).
Nancy: Yes! I’m a pretty good girl! (Said with unmistakable enthusiastic agreement). Being with Nancy is a constant lesson in unabashedly loving yourself.

(journal entry):

she wets the bed (and she obviously has a huge bladder). i am hoping the cats are more more patient and tolerable than i’ve ever known them to be.

having been around the caregiving block a few times, i see that tending to nancy is like tending to a person with alzheimer’s. it is mentally and sometimes physically challenging. i find it exhausting on every level. as you can see, i have already lost the ability to segue. by the end of wednesday, construction of complete sentences will be cause for celebration. by the time we take her back a week from tuesday, i will have lost my ability to think as we commonly know it. quips will develop a sharp edge as the week unfolds. please bear with me.

[ :: ]

day four – 11/26/13:
(facebook post)

Nancydraws

some might call it unresponsiveness, nancy’s refusal to engage and answer questions while she is putting a puzzle together or drawing a picture, but me, i call it focusing on one thing at a time. yet another thing nancy could teach me.

[ :: ]

day five – 11/27/13:
(facebook post)

I take Nancy (aka Lazy Bones) to the bathroom to get her dressed and beautiful. We get her pajamas off, she looks at her naked self in one of the few mirrors in this house, and says “I’m a pretty girl.”

(journal entry)

though it is absolutely inexcusable and unacceptable, i begin to catch a glimmer of how easy it would be to yell at nancy when she restocks the magazines over and over and over again, as many as 12 times in a 5 minute span, taking your papers or magazines to add to her stack as she goes along. or to twist her arm or to shove her down into the chair when she doesn’t sit in the chair after you’ve asked her 6 dozen times. or to swat her hand when she pinches you (hard) for the umpteenth time for reasons you can’t begin to imagine because you’re in Protect Thyself mode. i totally missed the line for physical caregiving genes. let me plan something. let me figure something out. let me find resources. let me support the caregivers – yes, please let me do that – but know that as much as i adore nancy, i am just not cut out to do this day in and day out.

~~~

IOOL2 2b

at night after she’s in bed, i stitch along on In Our Own Language 2.3. every single drawing from our august 2012 visit (457 total) is stitched individually then amassed into a collage in these three 60″ x 90″ panels. In Our Own Language 3 and In Our Own Language 7 wait in the wings. I am quite eager to get started on them.

[ :: ]

day six, today – 11/28/13:
(journal entries):

i continue my daily habit of rising at dark thirty, alone time that’s now more vital than ever. i find myself in a near panic remembering how once upon a time, i knew when to cook what – i had a cooking schedule that maximized cooktop and oven space leading us to the big thanksgiving dinner at the appointed time. now i can’t even remember what we’re having to eat.

being with nancy 24/7 is a joy.
being with nancy 24/7 is a chore.

i love her – you know i do. i can and do romanticize what it’s like living with nancy. perhaps romanticizing is not exactly the word i seek, but since we picked her up on saturday, life has been reduced to the basic needs of food and shelter. words and complex thoughts are a luxury, requiring too much effort right now.

the romanticizing becomes second nature as i watch her characteristic behaviors, as i listen to her oft repeated words and sentences and turn them on their metaphorical head.

~~~

i tell you about how she looks in the mirror at her naked body and says (without a hint of prompting) “i’m a pretty girl.” but i don’t tell you how long it takes to convince her to shed her clothes in preparation for toileting or donning pajamas or clothes. and i don’t tell you about how she ignores the small bench i put in the small bathroom to give her something to prop on as we remove her shoes and socks (several times a day because the kind of disposable panties she wears don’t come with a snap) or how strong she is – something i found out the other day when she ignored the bench, preferring to use my head and back for support.

i don’t tell you about the repetitive motions she makes every evening with her thumb and its two neighboring fingers – a rubbing together that sounds like scratching when she does it against her pants leg, a rubbing together that feels like a sharp pinch and leaves a nasty bruise when she does it against my upper arms in an attempt, best i can figure, to take the shirt off my back.

i don’t tell you how she went into brain lock the night before last – likely a consequence of a day filled with overstimulation – unable to respond to the most simple of commands. i don’t tell you that she can’t toilet by herself, can’t shower by herself, can’t dress by herself, can’t brush her teeth by herself, can’t brush her pretty red hair by herself. is she high maintenance? speaking literally, hell yes, she’s high maintenance. speaking emotionally, however, my heart says she’s worth every labor intensive minute.

lest you feel the need to say something to me along the lines of how now i ought to appreciate the caregivers who tend to her needs day in and day out, let me assure you that i have always and still do appreciate them. i have taken care of many elderly relatives with various issues rendering them unable to live independently. i love the person, but i do not love full-time caregiving. ask me to research rehabilitation or assisted living facilities, and i’m on it. ask me to organize their meds or draft a packing list of what they’ll need, done. ask me to shop for them or my personal favorite: develop systems to take care of things needing to be done in ways that allows the center of attention to save face, and i’m all over it. i just don’t think i’m cut out for day-in, day-out caregiving – even with those i hold dear. i can do it, i just prefer to do something else. and even as i write this, i’m hearing that sharp voice chastising me and reminding me that i was born to serve. for once, i’m too tired to pay much attention.

so yes, i do hugely appreciate nancy’s caregivers . . . if only i knew who they are. nancy has resided at this one institution for about 19 years. it’s a place near where her mother and daddy lived when they were alive, convenient for them to visit and bring nancy home for holidays and weekends. the parents are both now deceased, and we and nancy’s other brother and his wife live pretty far away, making it rather a multi-day event just to go down for a visit. and the institution has instructed the caregivers not to talk to the family, which is a huge red flag for me. nancy doesn’t talk on the phone, and even if she did, she doesn’t run a fever and is unable to experience pain the way we do, unable to say “it hurts here”, so i count on the caregivers to notice when something’s wrong, and i’d like to know.

i’d love to know the names of the caregivers. i’d love it if they’d identify themselves when they answer the phone instead of making me ask who i’m speaking with. i’d like monthly (weekly or bi-weekly would be fantastic.) check-in emails letting us know how nancy is doing. i’d like to know that the caregivers have basic first aid and cpr certification. i’d like to know what made nancy laugh that week, what seemed to upset her. i’d like to know her favorite color of the week, and which necklace she seems to especially like. i’d like to know that they are giving her the postcards i send her every week (when we picked her up, there were several postcards in the office where she is not allowed. i’ve never seen any of the cards or postcards in her room.) i’d like to receive a picture of her every now and then. i’d like to know what her daily schedule is like – what time does she get up, what time does she get on the bus to go to ARC, what time does she return home? does she still know the day of the week by what she has for breakfast? i don’t know much of anything about nancy’s day to day life, and i don’t really think i’m asking too much.

there seems to be an attitude of judgment by “the school” as we call the institution where nancy lives. because we cannot get down there nearly as often as we’d like, it seems they judge us not interested, not involved. that could be easily remedied with some good old-fashioned communication.

we don’t even know the name of the current administrator . . . which is fine, actually, because 2 or 3 (maybe more, who knows?) administrators ago, the reigning administrator blackmailed us, calling us into his office to say that nancy would be evicted if we didn’t pay $2,000.00 a month directly into their general fund – not money that would benefit nancy, mind you, $2k to go into the facility to use as they saw fit. i am still appalled.

i am not insensitive to how busy the caregivers are – in fact, another thing i’d like to know is that the facility understands caregiver burnout and takes steps to avoid it.

so yes, just as there are two sides to every story, there’s another side to nancy’s life, and i long to do something about it. i’ve been trying to do something about it, actually, but things move very slowly when you have no voice – no agency – in your own life. we are her agents, and i am tired of being quiet for fear the powers that be will take it out on nancy.

~~~

turn your back, and she’s gone or she’s picked up something you don’t want her to have. she does stay in bed at night, and for that i am eternally grateful because we really need our rest after a day with nancy.

~~~

Nancywithherboxes

once upon a decade, she was the puzzle whiz. now she’s the drawing whiz.

Andy says drawing has taken the place of puzzles as nancy’s creative outlet. I see puzzles as perhaps creative problem solving, a different kind of creativity from the drawing. filtering everything through the lens of my experience and knowledge base, i wonder if that doesn’t follow the course of my female development: from the comforting (and necessary) structure of to do lists to freeform. from stitching cross stitch images printed on cloth to assembling disparate pieces of cloth together to express something i often can’t articulate until well after the piece is completed.

~~~

magazines in puzzle boxes. containers. holding things, sometimes to cover visual clutter and chaos. nothing is sorted. pencils go in the same box with puzzle pieces and magazines and drawings. there is a coming together that, if i squint my eyes, could be physical representation of what is commonly known as integration. no more compartmentalization, instead, it all comes together into the woman who is nancy.

~~~

it is true that i put a spin on things nancy says and does, often turning them into sticky note reminders of Important Things. true, it is spin, and it’s also true that it’s true. as time consuming, as disruptive, as exhausting as it is being with nancy, the aggravation and exasperation is outweighed by the shift in consciousness and attention i experience when i am with her. it is all true.

[ :: ]

Jeanne Hewell-Chambers is just too tired to dress up the truth in a pretty little frock.

Communion 7: The Little Cloth that Could

This latest addition to the Communion Series (cloths that visually describe what it’s like to have a conversation with Nancy) comes with a subtitle: “And Then . . . ” or maybe “Well, shoot” or maybe “I Think I Can . . . ”

Communion7a

Things went okay . . . at first.

Communion7b

Communion7i

I tucked all the assorted colorful bits of fabric under the veil then added some that escaped, some that seeped out from under the veil.

Communion7m

Even though chaotic stitches held everything in place, I decided to stitch a spiral down over it all, never once considering that it might turn out looking much like the rocket bra that one never-to-be-named relative wore to Thanksgiving 2004.

Communion7o

Even with the surprise 3-D element, it looked kinda’ plain and unfinished, so I added French knots around the rocket bra-ish spiral . . . only I didn’t have enough black floss and couldn’t find any at the beach, so I bought some black crochet thread and used that (which was hard on the fingers) (but I actually wound up liking the shade and substance it added) (though not enough to take out the knots made with black floss. As it turns out, the blacks were divided kinda’ half and half on the piece, so I decided to pretend that was part of the design.) (Two people in communication and all that, you know.) (I can justify with the best of ’em.)

Communion7d

Ordinarily I like softly frayed, unfinished edges, but this fabric was especially bad to ravel, so I added a healthy coat of Fray Check to all the edges . . . and let me tell you: there wasn’t enough rubbing alcohol in the entire state of Alabama to get rid of that Fray Check after it dried. So I cut the “tails” off and added new ones, attaching them with more black French knots to make it look like it was part of the plan from the Very Beginning, you know.

Communion7f

And eventually Communion 7 is finished (if you don’t count that there’s no way to hang it and no label) (yet). (I’ll get around to that, but right now 7 and I, we need a little space.)

Communion7j

[ ::: ]

Jeanne Hewell-Chambers figures that sometimes it’s not (just) the end product that resembles a conversation with Nancy, but the process itself.

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