+ Her Barefoot Heart

Category: Jeanne’s Barefoot Heart (Page 38 of 99)

Jeanne’s personal creative pursuits of stories stitched, written, and spoken

I’m Not Kissing The Blarney Stone Here, Y’all

Fedex2

My first entry in an international show shipped out from Hilton Head Island yesterday, and I’m plumb tickled – say it with me: squee – to be a part of the International Quilt Festival of Ireland 2013. It’s a brand new piece, an official quilt with 3 layers and batting that’s headed to Ireland: 37 pieces from Nancy’s set 1 drawings, embroidered and shaped into a teardrop defined by the scarf (just couldn’t get the hankies to work this time) my sister-in-law Carole gave me recently. (Hey look, Carole, you’re going to Ireland with Nancy and me!) I call it Connect the Dots #1, and I love seeing Nancy’s non-representational marks, drawn and stitched by hand sitting atop the black and white, straight lines sewn by machine.

My learning curve has been steep, given that I just began stitching in June 2012, and I count myself incredibly fortunate to have knowledgeable, generous, talented, patient souls like Anne Copeland, Lisa Call, Susan Lenz, and Judy Martin to guide, suggest, answer, teach, and shepherd me on occasion.

Next up, I learn to take good photos.

I promise.

JeanneHewellChambersConnectTheDots1Front

JeanneHewellChambersConnectTheDots1Detail

Brother Sun’s Playground

Rainbowsonthefloor

Rainbowsonthefloor2

Rainbowintheroom6

At a certain time of day
if the sun is shining and
you’re standing in
just the right place,
rainbows come out to play.

You or anybody else,
for that matter,
can stop the light and
vanish the rainbows,
if you’re not paying attention
to where you stand,
if you get in the way.

Seems a simple
yet significant
thing to know.

Rainbowintheroom4

Rainbowintheroom5

First You Decide, Then You Move

Pathbefore

Weeds are pesky things. Maybe once upon a year you liked them, actually spent money acquiring them then spent time planting and tending them. But comes a day when you realize they are more invasive than pleasing, that they have spread and are now growing and blooming where you don’t want them to grow and bloom. They are taking up too much space on your path.

That’s when it’s time to pluck them out . . .

Borders had been installed at the very beginning, but the weeds had long ago ignored the boundaries, going over and under as they pleased, determinedly oblivious to my growing discontent, so yesterday was weed-pulling day. Many were not happy to leave. Their roots had spread deep and wide over time, taking strong hold to that part of my path. They were apparently quite comfortable and vehemently protested the change. Tools were required to assist in the removal of the most obstinate weeds, and quite often when the weed did finally let go, it came out with great clumps of dirt that went into my shoes, my shirt, my eyes, my hair. It was not a pretty sight.

It was tough, time-consuming work. Fingernails were blackened and broken. Before long, my back hurt and neck and legs ached so badly, I considered throwing in the towel and going to find something to do that was more fun and less arduous, just leaving them be. After all, I could still technically step around them.

Otto2

Otto, my granddog, provided company and stood as witness – sometimes enjoying the sun,

Ottostands2

sometimes standing right where I needed him not to stand,

Ottodigs2

sometimes doing a little digging himself. There was an important difference, though: Otto simply moved what he pulled up, burying it in a new spot in the yard.

Compost

What I pulled up went into the compost bin to be recycled into something new and useful and nourishing. I suppose you could say that it will eventually go into another spot in the yard, too, but you get my drift.

Cleared

Yeah, I’ve had days that were more fun, but by bedtime, the path was cleared, and I could once again see the stepping stones and imagine where they might lead me. You know what I mean?

today’s colors

Otto2

My granddog Otto. He’s fluent in cute.

Goodhugger

I raised a good hugger. A real good hugger. With good taste in clothes.

Fireplace

The fireplace in my son’s new home. We came to Denver today, spending a week here to help with all the things that need tweaking. The piece there on the left of the mantel is the first piece of pottery I ever created.
I love that he has it on display.

Backcloth2

The backcloth for a piece I’m working on.

Visually it was a black and white day.
Emotionally speaking, it was more black and blue.

Looking Back, Moving Forward

Planes

Saturday was World War 2 Heritage Days, an event in Peachtree City, GA honoring those who served in WW2. Veterans wear their uniforms or at least a hat to indicate their field of service.

NationalAnthem

My daughter travels around to various events, portraying Betty Grable, and let me tell you: she has the legs and the voice and the hair to pull it off. Years ago I bought a 1940s era dress just because I liked it. It’s hung in the closet since then, but on Saturday morning, I pulled it out and put it on, along with my black gloves, a 1940ish pocketbook, and the cutest hat you’ve ever seen, all topped off with shoes to die for (and by the end of the day, my feet almost had) (died, I mean). My hair is now too long to hold pin curls, and I didn’t know how to do victory rolls, so I decided I’d just tell the stitch nazis (women who delight in pointing out inadequacies and unauthenticies) to (a) bug off or (b) that I’d been out picking cotton that morning and simply hadn’t had time to do my hair. Thank goodness I didn’t hear from the stitch nazis, but I’ll have you know that three men asked me where I bought my dress. Not cross-dressers, mind you, just men who say they find shirtwaist dresses (accessorized with black gloves and a purse that snapped shut with an attitude) like mine sexier than today’s dresses. Here she is, my daughter, singing the national anthem.

NavyStanding

Later when she sings The Armed Forces Medley, veterans stand when she gets to the theme song for their branch of service. These fellas were able to name the song Anchors Away in three notes.

WalterCheers
This is my mother’s boyfriend, Walter, cheering as his song – Army Air Corps – ends. Loyalty runs deep.

Helendenton
Speaking of loyalty, this is Helen Denton telling some young girls what it was like to be General Eisenhower’s secretary. Though she joined in hopes of meeting a man, she had some pretty important jobs during her tour of duty . . . some things she couldn’t talk about for 50 years – not even to her husband – because she’d promised she wouldn’t.

Reenactors
Re-enactors don period attire and engage in immersion imagination as the veterans watch and remember, telling stories and shedding tears all along the day. The re-enactors spend an awful lot of time and money doing their research and trekking to these events. They take history seriously, and do not tolerate revisionists well. Their equipment and uniforms are authentically correct but they are not government-issued like the originals.

Germansgiftamericansalift
When they’re not in character, you see things like a German giving a ride to US military folk . . . and they are all smiling. This vehicle, by the way, was a gift from the driver’s wife one Christmas. Yes, really.

JosephGetsPin
When they came home, the veterans were told they could wear their uniforms for 3 months until they found a job and got settled. They were given special pins to wear to indicate that they had served and were now discharged, reacclimatizing themselves into society. Though the pin had an official name, the veterans called it The Ruptured Duck. All veterans were given a Ruptured Duck pin Saturday morning. This is my 98 year old Uncle Joseph receiving his pin.

WalterGetsPin
And this is Walter receiving his pin.

The hangar is filled with rows of tables filled with ribbons, pins, uniforms, photos, and other memorabilia on Saturday. In one corner of the hangar, young women have set up a 1940s kitchen, complete with the cutest stove I’ve ever seen, a ringer washing machine I’m glad I don’t have to use, a wooden ironing board that looks like it positively salivates at the thought of pinching fingers, a Hoosier cabinet that reminds me of the one in my Aunt Rene’s kitchen, and a small kitchen table from that era. I like that there was some attention shone on the domestic arts of the time.

Bobhope

There’s a camp show that is performed word-for-word from the transcripts of camp shows of the era. This is Thomas Eastin (the best of the good guys, if you ask me), a college student who’s been portraying Bob Hope for several years.

When the whistle sounds at 4 o’clock, tired volunteers find a second wind and leap into action, clearing the hangar of military paraphernalia and transforming it into a ballroom for The Swing Dance. The tired young re-enactors change into their dress uniforms, and just as they must have back in the 1940’s, line up to ask pretty young women to dance. I look at the young men in those WW2 uniforms and think about how the 93 and 94 year old men sitting across the table from me were about that age when they trotted off to war. How did their mothers ever stop crying?

When I interviewed him for the book I wrote about him, my father-in-law told me that he received his marching orders the same day he was to graduate from Georgia Tech. Said the school moved the graduation ceremony up, making it earlier in the day so graduates would have time to gather their belongings and take their leave into the wild blue yonder and beyond. He said he and the other graduates walked up on stage, received their lambskin, then stepped off the stage and immediately received their orders. In the space of the few hours separating graduation from shipping out, many of them – including my father-in-law – got married.

Adadanceswithwalter

But it’s not just the young re-enactors who take to the dance floor. Here’s my mother dancing with Walter while Alison sings “Kiss me once and kiss me twice, and kiss me once again. It’s been a long, long time . . . ”

Catfight

At one point during the evening, this 94 year old veteran was dancing with Jenny (left) when Alison went up and in the spirit of fun, staged a cat fight for his attention. Is it just me, or does this fella seem to enjoy all the commotion?

Alisonwon

In the end, he chose Alison, I mean Betty Grable. His daughter cautioned Alison to hold on to him tightly, but there was magic in the air that night, magic that took his body back in time – maybe not to a foxhole, but he sure didn’t need any help finding his way around the dance floor.

Jfk

Freddie hails from Long Island, New York and travels around the country making appearances as JFK. This is my mother being totally won over by his charming personality. Look out, Marilyn. You may be able to sing Happy birthday, Mr. President, but you can’t cook like my mother.

We can argue that memory is construct and fallible, and we might agree that we’d rather war be the last avenue taken rather than the first, but surely we all agree that there’s nothing like learning about history from the lips of those who lived it. You can’t learn history like this from books. You just can’t.

muddy waters are beautiful by me

Muddywaterschurning17apr13

i love how the falls,
ordinarily so lacey and pristine,
go all muddy on us after a storm.
the sediment, once hidden in quiet repose underneath the surface,
comes rushing to the top,
debris once settled in another life faraway from here
gets added to the mix,
sometimes staying a while
as though waiting on the next big storm to come along.

the numbers add up . . . if you leave some out

Floss

I needed floss. DMC #550 (dark violet) because purple is Nancy’s favorite color, and I like this particular shade. It took one hour to get to the store and four-and-a-half hours to get back home . . .

View2

because on the return trip, we took the road less traveled, and Frost is right: it made all the difference.

Falls2

Trees just beginning to wake up and think about changing into something green.

Rock

Heart-shaped rocks still wet from recent storms.

View1

I felt so small, so protected. The quiet wrapped itself around me like a lullaby.

Falls1

And just as I dropped the floss off in The Dissenter’s Chapel (the name of my studio), along came a flood of ideas – 21 to be exact – for new quilts. I guess that means I’m working in a series now?

[cue contented sigh]

It was a day well spent (even if we did spend five times as much on gas as we spent on floss).

patterns of being

IMG 2574

IMG 2582

As a little girl, I’d spend the occasional Friday night with my grandparents. On Saturday morning, my grandmother would shake me awake: “Jeanne, are you awake?” she’d ask over and over with increasing volume. “Yes ma’am,” I’d eventually say. Upon her order, I’d sit up and look at her only to hear her say: “I just wanted to tell you to sleep as long as you want to.”

My granddaddy would feed me cornflakes then load me into his faded red-and-white Ford Fairlane and drive me around the county, pointing out every family’s homeplace. Back then, folks around town gave directions using family homeplaces as markers for turns or mileage. I still do.

Aunt Rene came into possession of the house when the elderly man she cared for died. Though she lived somewhere else for a period of time so Uncle Bill could be near his work, that white board house in the middle of town was Aunt Rene’s house for as long as I can remember. Forgetting to turn the stove off was bad enough, but when she began to dose them (her sister, Lucy, had come to live with her by then) their tablets several times a day because she couldn’t tell the difference between waking from a nap and waking from a night’s sleep, moving The Girls to an assisted living home became an undeniable, unavoidable necessity. Though she was less than thrilled with her change of address, Aunt Rene eventually settled in, flirting with the single men and finding a bigger pocketbook to hold her frequent Bingo winnings. She was quite the social butterfly, that one.

Shortly after the move, Aunt Rene began to collect napkins. We’d go out to eat at a restaurant, and while we paid the bill, she’d open that big ole’ pocketbook of hers and empty the napkin holder into it, never taking the holder itself, mind you, only its contents. I gave her packages of napkins purchased at restaurant supply stores in hopes of quelling her sticky fingers, but it simply was not the same.

She also became an avid collector of cardboard boxes – empty cardboard boxes, thank goodness – availability taking precedence over size. “You just never know when you might need a good empty box,” she’d tell me in what I declare was a tone of pride in her voice when I asked about the growing mountain of boxes in the corner of her room beside the bed. About once a week (sometimes twice, depending), Mother and/or I would go by rid her room of most of her stash, always respectfully leaving a few behind.

It was actually a rather endearing (if frustrating at times) behavior. Though she never gave us more of an answer than the standard you-just-never-know answer, I ‘spect those boxes were a throwback to times in her past when, from what I hear, she could fit everything she owned into a small cardboard box and still have room left over. And I ‘spect they represented the future. Though she quit talking to us about it, I’m quite sure the hope of one day filling those boxes with her earthly belongings and moving back to her home never completely left her. And every now and then when I think about Aunt Rene and her boxes, I imagine that maybe those boxes made her feel in control of her life somehow, if for no other reason than she and she alone would decide what to put inside them.

I think about Aunt Rene when I remember how as an undergraduate student, I transformed empty boxes into nightstands and coffee tables through the magic of paint, tape, glue, and old magazines. I think about her when I fill boxes with things I just can’t yet let go of, telling myself “The children will want this one day.” I think about her as I poke around in search of boxes to hold my various projects, boxes as creative containers that will keep visual clutter to a minimum while making it easy to start and stop without having to pull everything out or put everything up. It is a throwback to the days when to save time and conserve mental capacity, I had a tote bag for every organization I was affiliated with, filled with what I needed for that particular group, a way to grab and go. “What in the sam hill are you going to do with that?” my husband asks as I pick up an old hat box at the thrift shop. “Well,” I tell him as I continue to survey and assess, “you just never know when you might need a good empty box.”

my true childish heart

Agespotsvase1

Came a package bearing a gift from my son. The handwritten note said he was late because he had trouble finding something special enough to commemorate the Big Birthday I celebrated on Valentine’s Day last. So what did he decide on? A vase. A shiny, gorgeous, handmade vessel.

Agespotsvase3

Though he didn’t choose it with this in mind, the small opening is perfect for a woman who’s now in touch with her own mortality and firmly committed to being quite conscious and selective about what comes into those remaining years.

Agespotsvase4

The somewhat extended neck, perfect for a woman who now feels tenured and firmly committed to speaking her mind without regard to being found pleasing or worthy or even sensible.

Agespotsvase2

And oh my goodness, the glaze. The beautiful glaze of rich blues and greens – my favorite – peppered with small circles resembling crocheted doilies.

Or maybe . . . probably . . . Age Spots.

I feel another cloth project coming on, y’all . . .

[ ::: ]

“I learned to value only that which truly activates what is in my heart. I came to value those experiences which activate my heart as it really is. I sought, more and more, only those experiences which have the capacity, the depth, to activate the feeling that is my real feeling, in my true childish heart. And I learned slowly, to make things which are of that nature.“
[Christopher Alexander: The Nature of Order, The Luminous Ground]

production or process?

Handstitching3

Though I love my sewing machine (It was under the first Christmas tree I put up as a married woman some 40 years ago – my husband bought it for me with money he won in a radio contest.), I prefer hand stitching.

Handstitching4

I love the way the fabric ripples up into ridges. How the feel of the cloth changes as I go. I love having an image in mind, then fiddling and grappling to create it in cloth.

Handstitching1

Decades ago, I would’ve been horrified for you to see my knots, embarrassed at rows of stitches that go the way of handwriting on a sheet of unlined paper. But now? I swat the air with my hand and say a hearty Pffffft.

Stitching by hand is yoga for my mind.

BrianQuilt1bcroppsed

I don’t know how many quilts my grandmother made. I’m currently tracking them down, photographing them, building a catalog of her work. She used her Singer treadle machine to make pieced quilts from patterns. I remember the whirr, the up and down of the treadle, the look on her face as she fed colorful scraps under the needle.

CharlesQuilt1acroppsed

I wonder if she preferred the machine for its speed. She was busy from sunup to sundown, and she moved like a rabbit – she had to to get everything done. Or maybe, it occurs to me since my husband retired, the sound of the machine formed a wall around her, giving her space to call her own the only way she could get it.

« Older posts Newer posts »