+ Her Barefoot Heart

Tag: family stories (Page 2 of 2)

The Story of Women Exhibit: Whispering Bones and Aunt Addie

I told you about Cannonball – a piece in The Rinse Cycle, Pivotal Epiphanies in a Woman’s Life Series –  being on exhibit at the the Milford Arts Council (a.k.a. the MAC) in Connecticut, and today I’m here to tell you about the other two pieces that were selected for inclusion in The Story of Women Exhibit  there . . .

 

The Rinse Cycle Series, Pivotal Epiphanies in a Woman’s Life:
Whispering Bones

About the Series:
We all have them – moments that startle us into utter clarity about the need for significant change. And if we’ve made enough trips around the sun, we know that it’s up to us to create the life we are meant to live, so we grab onto the thread that has guided so many before us – the thread that is being offered to us now – and begin. People – even those who initially quake in fear at how our change might affect their lives – fall in beside us, cheering us on. Ancestors gather round to aid and abet. People we’ll never know grab onto the thread, vowing to live a self-determined life, too. I immortalize the spark and the resolve in art quilts I call The Rinse Cycle, Pivotal Epiphanies in a Woman’s Life.

Size:
25.75” h x 18.5” w

Materials:
Scraps of fabric, commercial fabric, batting, embroidery floss

A Note About This Piece:
The “I Matter” note is tacked open in this photo and in the exhibit. When she finds her way back home to me, I will snip the threads holding the whisper open, fold it back into its envelope shape, and tie it closed using the strip of fabric underneath it.

Artist Statement:
When she needed it most, she heard a whispered sticky note.

 

Pink Galoshes Women: Aunt Addie

About the Series:
Pink Galoshes Women are those who, when confronted with obstacles, pull on their proverbial pink galoshes and tromp on through the mud and the muck to get to where they need and want to go.

Size:
19.5” h x 22.5” w

Materials:
Aunt Addie’s letters (printed, then chopped into chunks and reconnected to create background fabric of top) and photo transferred to fabric; vintage gloves and pearls; beads; embroidery floss; thread; batting; commercial fabric (back)

Artist Statement:
Committed to an insane asylum by six men because “she talked too much,” Aunt Addie found ways to quiet her soul if not her brain.

 

Viewing the Exhibit

The Story of Women is a hybrid – virtual AND brick-and-mortar – exhibit. To view the exhibit in person, visit the Milford Arts Council. To view from the comfort of your home, you have but to click right here.. Be sure to look for Black Wedding Dress, well-deserved winner of Best Story, by Karen Kassap. Right after the exhibit opened, Karen reached out to me via Instagram, and we are becoming the kind of friends I like best: appreciative, supportive, and encouraging. Add her friend Gale Zucker to that list, too. Gale went to see the exhibit yesterday, in support of her good friend, Karen, and afterwards she, too, reached out to me with supportive encouragement. Isn’t it lovely to be friends with so many women who are comfortable and confident enough in their own creative abilities that they feel no need to behave haughtily and be mean? I am blessed.

 

Dates and People’s Choice Award

The exhibit is open through November 19, 2020,. Scroll to the bottom of this page to cast your vote for the People’s Choice Award. Voting closes on November 18 to give them time to count the votes before announcing the winner at the close of the exhibit on November 19, 2020.  (Oh the jokes I could make were I one to delve into politics. But I’m not, so I won’t.)

Unclaimed Hallelujah: Katie Belle Wesley Ballard

 

When the brown paper grocery bag from K. W. McElaney’s corner store was full of fabric scraps, they met in the middle of the road – Mrs. Callaway and my maternal grandmother. After exchanging pleasantries, they swapped bags then returned to their respective homes, spilling the bag’s contents on the kitchen table, marveling at the colors, the patterns, the possibilities. Soon enough, colors were sorted, patterns were chosen, cutting begun. Eventually her Davis treadle machine whirred with life, providing Grandmother the only walls she could lay claim to.

The simple act of me saying “yes” to receiving a garbage bag filled with scraps from an anonymous donor and turning them into quilts made Grandmother smile. I’m sure of it.

 

 

When the box arrived, I had no idea what I was going to do. My mind was a blank slate. I finished a few other projects, and with the calendar ticking, I got up one morning and before anything or anyone else could take the reins of my day, I opened the box, removed the garbage bag, then dumped the contents onto my design table. How I do love a beautiful jumble, the chaos of colors, the cacophony of shapes, the nostalgic imaginings of what the fabric had once been used for. Oh, the possibilities.

But still no ideas.

The calendar ticked louder.

I fiddled with the colorful bits of cloth and eventually began to See.

 

Christmas fabric . . .
Christmas mornings spent in Grandmother’s living room.
Gifts opened only after each of her 14 grandchildren played their two pieces on her black upright piano with the stool that rose and lowered by spinning.
Cousins showing off the 3 Santa gifts we were allowed to bring.
Granddaddy holding up a pair of freshly-unwrapped underwear, hollering across the room
”Katie Belle, are these from you?”
”What William?” she hollers back.
They had big ears – both of them did –
but they were for facial decoration only.
He asks again, “I said Are. These. From. You?”
With a chortle that would not be held back,
Grandmother says, “Oh William, of course they’re new.”

One strip of black and white fabric . . .
88 keys on a piano.
Grandmother’s full-ride scholarship to The Piano Conservatory
an adventure cut short
When her father harrumphed at the end of her first year
That young ladies didn’t need an education
especially in something as frivolous as piano
and declared that she would not be going back
and would instead spend her time in search of a husband.
Even a letter from the Dean
begging him to let Grandmother complete her studies
and telling of her immense talent
could not dissuade her father.
Whether Grandmother’s step-mother influenced the story or not,
we’ll never know.
I doubt anybody thought to ask before now.
She did meet and marry Granddaddy,
and every one of her five children
will tell you without hesitation
that he – Granddaddy –
married up.

Green . . .
How Grandmother enjoyed
cutting grass.
She had her own riding lawn mower
and she used it when the grass needed
cutting
or when she needed the grass to be cut.
Whichever need came first,
she would
strap on her battered straw hat,
take her seat on the mower
and commence to riding.
Another sound
providing her with walls,
a way to close out the world
and giver her space
to create her own.

Flowers . . .
Oh my goodness, flowers.
Grandmother’s entire yard was a flower garden
and how I would love to have just one more
day with her holding my hand,
treating me to a personalized guided tour,
checking on the health of each flowering plant
and telling me the name of the plane
and who gave her the cutting.

The fabric with flames . . .
Even as a teenager
there was nowhere I’d rather be
than at Grandmother’s house.
I stopped by
whenever I wanted.
We all did.
No appointment needed.
Walk-ins welcome.
The back screen door slamming behind me.
Mother forbade it at home,
but it is a sound that didn’t bother
Grandmother at all.

Gray . . .
Color of The South.
She was, after all,
the quintessential Southern Lady
without any of the pretense and subterfuge.

The Jetsons cartoon fabric . . .
Granddaddy died
knowing that Live Atlanta Wrestling
was the real deal
while the man on the moon was
staged.

Sock monkeys . . .
Grandmother always
and I do mean always
had time to stop and play
and talk
and, perhaps most importantly,
listen.

Comfort food could always
be found on Grandmother’s table.
Biscuits made from scratch three times every day.
Leftovers in the center of the table
hidden under a clean tablecloth
always available for snacking
or an impromptu meal.
She entered – and won – cake backing contests.

A rescued tablecloth holds these “scraps”
of memories and love
together
to create the second piece in my new series
called Unclaimed Hallelujahs,
this one a cape honoring
Katie Belle Wesley Ballard.
The woman I call Grandmother.

Hostage, The Adventure Begins

Vintage boy’s shorts and shirt, vintage embroidered doilie, two red embroidered circles, all appliqués to the top of a small vintage quilt

 

Till the day he died of natural causes, my daddy talked about the barrel of that shotgun placed against the back of his neck. It was a feeling he never forgot.

Daddy was five years old when bandits came to the house, intending to kidnap Granddaddy and rob the bank. It was a weekend of horror I can scarce imagine. After spending my entire life gathering the stories, photos, and information, I am at last sitting down to write the book about that event that happened in my family on May 5 and 6, 1933. It is a story  of many stories woven together, and I will tell them all in books and in quilts.

The red circles represent the double barrel shotgun he felt against the back of his neck when, on Saturday morning May 6, 1933, five year old Crawford Jr. (a.k.a. Daddy) forgot that the bad men were in the house and did what he did first thing every morning: ran for the outhouse.

When I decided to tell the story in quilts as well as words, I went straight to my closet and began culling through all the things I’ve rescued and adopted over the course of more years than I can count. Quilts someone made for their babies; baby clothing that caught my fancy; embroidered doilies or dresser protectors or coasters – not sure what you call them. In less than 2 hours, four quilts were pinned together, using only what I have on hand. That is one of my intentions for this year, you know, using only (okay, mostly) what I have on hand. It’s an idea I got from my talented friend Linda Syverson Guild, who doesn’t buy any fabric the first six months of every year, using instead what she already has. I smile as I weave these storied, already well-loved items into my family’s stories. I also smile feeling grateful  that I listened to my Bones and purchased these things, even with that dreaded voice of authority on The Committee of Jeanne booming in the background things like “You don’t need this” or “You have too much stuff already” or “What on earth do you plan to do with that?” (The others who sit on The Committee of Jeanne are saving up for a firing squad.) Score one – a great, big, fat one – for my Bones.

~~~~~~~

If you’re wondering about The 70273 Project, we’re still here. I’ve been regrouping and hatching plans that I’ll share with you here next week. Thanks for stopping by and trekking through these adventures – all of them – with me.

Playing in the Meadow on the Other Side of the Rainbow Bridge

kippandotto1

My boy, Kipp, rescued him from a Denver humane society.
It was between the border collie and a Corgi – he couldn’t decide.
Ultimately, Kipp chose well.

neuroticotto

Otto was a slightly neurotic dog
afraid of the most, um, unusual things.

otto2a

He was a mischievous dog,
though you usually only knew
he’d been mischievous
when he had this certain look about him.
Oh, he knew you were smart enough to figure it out eventually,
but he was always hopeful that once – just once –
he’d be wrong about you.

otto1
If you couldn’t find Otto,
you could bet your bottom dollar
that something resembling food
(cooked, raw, packaged, unpackaged – no matter)
had been left within, oh, 4′ from the edge of the kitchen counter.

prissyotto

Otto was a dog secure enough in his own manhood
to be prissy on occasion . . .
without apology.

marnieottokipp1

We’re still not quite sure which one
Marnie fell in love with first:
Kipp or Otto,
but no matter.
They were a package deal
and she won both their hearts.

ottowatchesover

And though they were as nervous
as any first-time parents in the history of the galaxy ever were,
Otto proved to be a good Big Brother
to Calder Ray,
watching over him when others
well
went to sleep on the job.

ottstands

Though they’ll surely adopt another furry baby
sometime down the road
when their hearts have had time to heal,
one thing is for sure:
the next Chambers canine will have awfully big paws to fill.

mygranddog

R.I.P. Otto.
You were the best Son Dog,
the best Big Brother Dog,
the best Granddog,
the best Great Granddog,
the best Nephew Dog,
the Best Friend
ever.

A Stitch from the Past

gdb5

About 15 years ago, I had this idea: I cut circles from fabric and stitched biographical plates (portraits) of my ancestors. Small projects, easy to tuck into my bag and work on wherever I happened to be. And what did I do after stitching them?

Nothing.

I’d planned to stitch them onto a tablecloth . . . but that never happened. I just tucked them into the scrap suitcase were they lingered (forgotten) until I went to grab bits I might use on The Storyteller’s Apron, #1: Sky Rider.  Now the plates will become constellations – or maybe galaxies – as I stitch along with Jude Hill and the #sunmoonstars gang.

gdb4

This is the plate of my maternal granddaddy who was a sheriff in Fayette County, GA who liked to play checkers with his grandchildren and took it upon himself to teach each of us to drink coffee. He’d pull us into his lap, fill a saucer with milk, then add a splash of steaming hot Luzianne coffee – just enough to turn the milk a tan color. We’d blow on it and blow on it and blow on it, sending the steam across the room, sipping from the saucer only when there was no more steam to blow. Me? I took part in the ritual up till the part of sipping the milked-down coffee. That was as far as I could go, and to this day, I’ve never even tried coffee.

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