+ Her Barefoot Heart

Tag: exhibits

It Takes a Flock

colorful, heavily feathered handmade birds

Heavily-feathered birds, all dressed up and ready to travel to the Imagine a World Exhibit

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Before we get started, a few things I want you to know:
– Though I haven’t sent our emails in several years, I’ve sent you 2 this week. That will not become a habit, regardless of how much I have to tell you.
– I plan to write articles here – especially now that there’s so much to tell you with the exhibit opening soon, so I’ll send an email once a week or once every other week with links to articles I’ve posted. Today’s article is time sensitive, and I’m gonna’ try to do a better job of planning ahead. (I need my 19 month old – and adorable – granddaughter who lives with us to get on board with this! Wish me luck, and thanks in advance for understanding when I don’t get as much done ahead of time as I’d hoped.)
– Most importantly, I want y’all to know that I appreciate you. Now, let’s get on with the exhibit news.
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To hear me read this post, mash the right-pointing arrow above.

Turns out, it takes a flock to create a new world.
Would you like to help create this new world where everyone
and we do mean everyone
is welcomed with open hearts?
Do you enjoy creating something that’s fun, fast, and freeing?
Are you like us – dedicated to supporting folks with disabilities and creating a world fluent in Kindness?
Great! Then read on . . .

As many of y’all know, I am no stranger to big, fat, crazy ideas – think  The 70273 Project and Imagine a World: Nancy’s Birds + Be Kind. The world Maxine Hess and I are creating at the Southeastern Quilt and Textile Museum in Carrollton, GA opens in 2 weeks, on Wednesday, September 25, 2024, and we need more birds. We have space for hundreds more birds. We wouldn’t turn down thousands of birds.

A bird in Nancy’s fourth set of drawings

Nancy draws, I stitch her drawings. It is our Communion.

Our birds are based on Nancy’s fourth set of drawings
(scroll down to the third entry to start reading about her birds)
that sure look like birds to us.
Delightfully different birds.
Just as no two people are the same,
no two of these birds are the same.
We’re not copying her birds, mind you,
we’re just using them as examples
and as permission slips, if you will,
to cut loose and be free
as, well, free as a bird.

Some of our birds have no wings.
Some have one wing.
Some of the birds we’ve made have 4 legs
Some have one leg
Some have 7 legs
Some have no legs.
Some have seashells for eyes.
Some have no eyes.
Some have feathers
Othes are embellished with vintage jewelry.
All sing a song
even if we can’t hear it.

These birds don’t come with a pattern,
they’re cut free-hand
with scissors or a rotary cutter.
We sometimes draw freehand birds on cardstock paper
and use those as templates,
just because it tends to save time,
allowing us to make more birds.
We’ve made birds from placemats,
bedspreads,
old clothes,
and fabric we love and have been saving
for something special.

The thread doesn’t have to match the cloth on these birds.
They don’t have to be beautiful by art design standards.
Nobody is grading these birds
or selecting them based on their aesthetic appeal.
That’s the whole point of this exhibit:
everybody is welcome
and everyone delightfully different in every  way imaginable,
We don’t judge in this world.
That wouldn’t be kind,
and kindness is the only language
spoken here.
We welcome these birds – every one of them –
into our circle of friends,
welcome them to our table,
welcome them to this new world,
knowing that their presence will
make this a better world
a more enjoyable, fulfilling place for all of us
to live.

If you’re interested, fantastic!
Grab some fabric
cut some one-of-a-kind birds
and ready, set, sew!
Oh – one very important note:
we will need your bird to bring
their own hanging loop with them.
That is to say, they need to come with a
hanging loop to help them fly through the sky.

 

 

You can topstitch these birds
or stitch them right sides together,
turn, stuff, and stitch the opening closed.
And the stuffing?
Feel free to use what’s within reach:
paper towels, tissues, fabric scraps, paper –
you get the idea.
You can embellish as you well
or send them plain.
Either way they will be welcome
in Kindness Route 1.
They’ll quickly find friends
as they fly through the sky of our world
and tickle visitors who come to call
colorful reminders that (with apologies and appreciation to Ray Stevens)
that everyone is beautiful in their own way.

The fine print:
We don’t plan to send these birds back to you,
but if you really, really want your bird
to make its way back to you,
let me know, and we’ll figure something out.
Instead, we’d like to offer them up for adoption
as a way to raise money for
the Southeastern Quilt and  Textile Museum.
Each bird will take this story
to a new home where they will be
treated with kindness for the rest of their lives.
The financial contributions will be put to good use
by the museum. I promise.
And we – Maxine and I
plus all the visitors
and museum volunteers
will be enthralled with your bird’s presence
in this amazing world we’re working together –
and now with y’all –
to create.
I feel quite sure
that adopted or no,
they’ll leave a lasting impression on all who see them.

So what do you say?
Will you become part of this big, fat, crazy idea?
Will you make a bird (or several) today or tomorow
and get it in the mail to us so it can arrive
by September 24, 2024?
Even if it’s gonna’ be late,
please send it
because whenever it arrives
your bird(s) will arrive to
big smiles
and much gratitude
and will take a place in the sky
of this world of kindness.
(We’d just love for your birds to be part
of our Opening Night event, if at all possible.)

Note: Not that we’ve tried, but
Maxine and I don’t believe it’s possible
to make these birds without a smile on your heart and face,
and we Know that the kindness, caring, patience, exuberance
in your heart
will transfer into the bird(s) you make
with every stitch.

We’re oh so grateful
to the Southeastern Quilt and Textile Museum
for this opportunity,
to y’all for helping us fill the sky with
birds not of a feather, but of a story.
Birds of a story – their own individual story.
helping us change the world
by changing lives,
bearing the important message that
you can never go wrong with kindness.

Send your beautiful birds to:
Southeastern Quilt and Textile Museum
306 Bradley St
STE C
Carrollton, GA 30117

Whether you send birds or not,
we thank you for helping us
change the world
by being kind
to even the most different among us.

~~~~~~~

Road signs you can click to find more information and updates:

JEANNE HEWELL-CHAMBERS
Web Site: The Barefoot Heart
Facebook: Jeanne Hewell-Chambers
Instagram: @whollyjeanne
Email me
Subscribe so you don’t miss a thing

MAXINE HESS
Facebook: Maxine Hess
Instagram: @maxinehess

SOUTHEASTERN QUILT AND TEXTILE MUSEUM
Web Site:  Southeastern Quilt & Textile Museum
Facebook: Southeastern Quilt & Textile Museum
Instagram: @SQTMuseum,

FOR YOUR CALENDAR: EXHIBIT DATES
Opening Date: Wednesday, September 25, 2024
Artists Mix ‘n Mingle:  4 to 6 p.m. on Wednesday, September 25, 2024
Storytelling + Workshops: October 15 (stay tuned for specific details)
Storytelling _ Workshops: November 19 (details coming soon)
Kindness Celebration: 4 to 6 p.m. on December 3, 2024 (Y’all are gonna’ LOVE this! Stay tuned for details.)

The Story of Women Exhibit: Cannonball

I’m delighted to tell you that three of my girls were selected to be part of  The Story of Women Exhibit at the Milford Arts Center in – you guessed it – Milford, Connecticut. The exhibit opened online and in the brick-and-mortar gallery yesterday and remains open until November 19, 2020. Judge Shanna T. Melton put together a strong multi-media exhibit telling stories of women. Click here to hear from Executive Director Paige, then scroll on down to find links to the virtual exhibit, information about Judge Shanna, and on further down to find a ballot where you can take half a minute to vote for your favorite piece of art in the exhibit, the one you think should be awarded the coveted People’s Choice.

 

The Rinse Cycle, Pivotal Epiphanies in a Woman’s Life: Cannonball

 

We all have them – moments that startle us into utter clarity about the need for significant change. And if we’ve made enough trips around then sun, we know that it’s up to us to create the life we are meant to live, so we grab onto the thread that has guided so many women before us – the thread that is being offered to us now – and Begin. People – even those who initially quake in fear at the thought of how our change might affect their lives – fall in beside us, cheering us on. Ancestors gather round to aid and abet. People we’ll never know urge us on and vow to live a self-determined life of their own. I immortalize that spark and resolve in a series of art quilts I call The Rinse Cycle, Pivotal Epiphanies in a Woman’s Life. I call this one Cannonball.

 

 

“Then One Day she knew she would rather Dive in and make Waves than Drown in silence.”

 

 

Yes, the back of the swimsuit is on the back of the quilt. Of course it is!

 

The Other Two Girls

Swing back by sometime to read about Pink Galoshes Women: Aunt Addie and The Rinse Cycle, Pivotal Epiphanies in a Woman’s Life: Whispering Bones, my two other girls who are in The Story of Women Exhibit.

Travel bans may keep us from seeing the exhibit in person, but there’s not a ban strong enough to keep us from making art, right? I’d sure like to see and hear about what your hands are up to, and if you’re a mind to tell me, please leave a comment and/or connect with me on Instagram and Facebook.  Thank you, Milford Arts Center, for your continued dedication to being a facilitator for the arts that no travel ban can stop or even detour.

Making it Through Exhibit at the Southeastern Quilt and Textile Museum

The Rinse Cycle: Pivotal Epiphanies in a Woman’s Life, Whispering Bones
25.75” h x 18.25” w

Artist Statement: As we sheltered in place for more than 60 days, I was the bologna between my mother and daughter in our three generation sandwich. I struggled to keep Mother occupied and find things she could do to feel needed and useful, and I struggled to find way to tend to my daughter who was experiencing adverse reactions to a new medicine – all while keeping my husband from jumping off the nearest ledge. One morning, I declared asylum in my studio, and having zero ideas and even less inspiration – both stomped flat by exhaustion – I checked my brain at the door and  went full speed into haptic mode, turning my hands loose to select fabric and create at will. This is the result. This is what my heart and hands wanted to say. This is what helped me make it through our COVID-190 togetherness . . . and kept me out of an ill-fitting orange jumpsuit.

I am honored and delighted that this piece was selected to be part of the Making It Through exhibit at the Southeastern Quilt and Textile Museum in Carrollton, Georgia. It’s a virtual exhibit, and you can see it on the Southeastern Quilt and Textile Museum Facebook page. While you’re there, be sure to click on the photo to read the artist statement for each piece that will pop up and appear to the right of the image.

Shattered

orderly black and white blocks become black and white lines skewed and scattered. pink collar from a little girl's dress adorned with pink ribbon roses lays on black and white blocks.

Shattered / 24″ w by 27″ h / January 2019

Artist Statement

Nancy was born into a family of engineers. It was a world of perfect order, straight lines, black and white. If you followed the formulas, the blueprints, the textbooks, you got to where you wanted to go. There was safety, predictability, and the future was bright.

When teenagers hung three year old Nancy by the neck from the swing set, the world went sideways. Lives were shattered. Order became chaos. Black and white grids became shards. The formulas led to nowhere familiar or comfortable.

It was a fissure of stability and security.

Nancy is my sister-in-law. Today she is in reasonably good health, content with whatever she has, and smiles more than she frowns. She has a vocabulary of about 12 words, and 6 of them are the word “love”.

In June 2012, Nancy began making marks, and since June 2012, I stitch her marks.* Though she gives no indication that she understands our collaboration, it has deepened our relationship in ways I never dreamed possible and opened my life in ways I never dreamed imaginable. Nancy is my Wise Woman, and I am a better woman because she is in my life.

*The drawings you see on the shards are some of her first drawings.

A closeup of Shattered

Another closeup of Shattered

Personal Note and The Particulars

I love emails that begin with “Congratulation,” like the one I received a week or so ago telling me that Shattered was juried into the Fissures Exhibit at the Emerald Art Center / 500 Main Street / Springfield, Oregon. The exhibit opens on Tuesday, March 5, 2019 and closes on Saturday, March 30, 2019. From 5:30 p.m. to 7 p.m. On Friday, March 8, there’s the Artist’s Awards Presentation and reception that’s part of the 2nd Friday Art Walk. If you can attend, let me know ’cause I just might be cooking up a road trip and would love to meet you there.