+ Her Barefoot Heart

Category: Jeanne’s Barefoot Heart (Page 6 of 99)

Jeanne’s personal creative pursuits of stories stitched, written, and spoken

Eye Treatment #11

A stack of 13 books

I am either deeply rooted in denial or I’m the new poster girl for eternal optimism. In the past week, I checked out these books from our local library.

Another stack of books
And bought these books at the library’s used book sale two days ago,

Yesterday was Eye Treatment #11, and tests showed there was more fluid (bad) but no blood (good).  There was the expected deterioration in vision because it’s been 10 weeks since my last treatment, and there are usually no more than 4 weeks between injections. This time, a first. My eyeball hurt for 48 hours. I couldn’t roll my eyes, move them side to side, or blink without flinching and wincing. All I wanted to do was sleep, and that was impossible because every time my eyes moved, sharp pains woke me up. I don’t know if you’ve tried it or not, but it’s hard to cradle and impossible to immobilize your eyeballs.

It usually takes about a week before the I notice improved vision, and I can’t wait because when I went back last week, the decline was becoming drastic. I turned on all (and I do mean all) the lights in a room and still there wasn’t enough. I wore the same clothes day after day because I couldn’t see well enough to distinguish cut and color. The dreaded black “thumbprint” didn’t come position itself in the center of my sight, but its predecessor, the gray veil, was back and darkening. Everything sported curves and waves, and even the most gigantic fonts could only be seen, but only as smudges. Couldn’t tell numbers from letters.

Two more days till the one week mark is here, though, so my hopefulness swells, and I am deeply, hugely, ginormously thankful for your continued support.

Do I feel stupid or regret lining up all these books to read? Not at all, though I do wonder why the sudden urge to hoard books. Perhaps it’s because my vision was so much improved in November that I grew false confidence. Or maybe it’s determination. I  don’t look for the white flag yet, though. I have waaaaay too many ideas, art quilts to stitch, books to write, books to make, and books to read (of course).

And how ‘bout we make a deal? Any if you find typos here, please remember my wet macular degeneration and treat them as some kind of crossword puzzle on an adventure. Or blame it on auto-spell.

A Single Sheet of Paper

She stops me, this incredible woman and artist I now know as Miki Willa, and tells me a story . . . this story:

“I knew what to do,” says Miki, “because I’ve watched Nancy express herself through pen and paper, though art.”

The Little Paper That Could

These are Vanessa’s marks. These size of the paper is about 3″ x 5″, while the size of the meaning is limitless, unmeasurable.

As Though That Isn’t Amazing In and Of Itself 

In 2014, when Kathy Loomis mentioned that there were still spots available in the Dorothy Caldwell workshop in Louisville. I put my name on a chair. Never one to sit still, I took In Our Own Language 3 along to work on during “down times”. Dorothy saw me stitching and asked me to kick the next day off by talking about In Our Own Language 3..

After the following morning’s impromptu presentation, a woman sitting behind me my now-friend Rosemary Claus-Gray suggested I write a book about my collaboration with Nancy to give other families hope and encouragement to find ways to communicate with their loved ones that don’t involve the spoken word. She even wrote the foreword to nudge me to get started.  Though I haven’t written the first word, I hold Rosemary’s foreward in a safe, special place so I can find it when I do shove all else aside and write this book. It will happen, Rosemary, I promise, Thank you for listening to your intuition and making the suggestion. And thank you, Miki, for changing lives with a single sheet of paper.

Quilts on Display at Sacred Threads 2019

2 women stand beside a quilt of the Buddha

Miki and Jeanne stand in front of Miki’s quilt Meeting the Buddha on the Path (48″ x 34″) on display at Sacred Threads 2019. When arranging ourselves for the photo, Miki placed me so that the Buddha’s hand touched my shoulder because the Buddha’s raised hand is a blessing offered. (And you thought the Buddha was doing “rabbit ears” behind me!) Ever since Miki told me that, I offer a silent blessing when waving to someone.

2 women stand beside a black quilt covered with colorful doodles and a little girl's white pinafore (dress)

Miki and Jeanne stand with Jeanne and Nancy’s quilt, Playground of Her Soul.

Isn’t it astonishing how much goodness happens when we pay attention?

~~~~~~~

Right this way for more 70273 Project videos.

46 Years and Counting!

man carries woman in wedding dress out of church

Selfies
GPS
Personal computers
Mobile phones
Credit cards
Drive-thru pharmacies
Online shopping
Social media
Blogs
Internet
Digital books
Teslas
Insulin pumps
Microwaves
Water dispensers in refrigerators
High speed copy machines
Electric scissors
Serger sewing machiens
Netflix
Uber and Lyft
“Smart” home gizmos
Air
Dirt
Bricks

So many things are now part of our everyday lives that didn’t exist 46 years ago when The Engineer (a.k.a. Andy) and I met at the altar and said “Oh hell yes, we will!” So much  has changed. Shoot, even our love has changed since that Tuesday night, 31 July 1973. But there’s one thing that hasn’t changed a bit in 46 years: my gratitude to the Sweet Spirit of Surprise for introducing me to Andy; to my Bones for having the good sense to know a good man from the get-go and being fearless in marrying him 6 months after we met; and to Andy because after this long, with so much water still flowing under the bridge, gratitude and love are quite interwoven and often indistinguishable.

We’re off for a play day now. Thanks for sharing the decades of (mostly) joy with us.

woman and man standing on beach at sunset

(Parts of) our love story in previous anniversary posts:
Love with 42 Years on the Odometer

The “Re” Nobody Tells You About

40 Years Through the OUR Glass

39 Years of Togetherness

Marking Time

36 Years and Counting

woman in red and man in blue stand before a black quilt with marks stitched in off white thread

Bits of Interest

Interviews, sending information, formatting and sending photos, answering questions – as always, life is like a crazy quilt with much going on behind the scenes and filling my days at The 70273 Project, and many things are now coming to fruition . . .

Curated Quilts Magazine

cover of Curated Quilts magazine with words sewn into quilts
Every issue of Curated Quilts is an opportunity to attend a juried exhibit from the comfort of your own home. Each quarterly issue – available in print or digital versions – features a central theme and images of quilts selected for inclusion in the gallery, along with interviews, inspiration, techniques, and patterns. The magazine is printed on heavy stock paper that’s a delight to touch, the page layouts are beautifully designed, and the quilts in the gallery are a delight to behold. It’s more like a coffee table book that you’ll enjoy looking at over and over.
In early April, Amy Ellis, one half of the Curated quilts team, emailed to ask permission to include one of The 70273 Project quilts in issue #8 featuring Well Said quilts. “Specifically, we would like to feature your quilt in our gallery. A quilt from your 70273 Project would make a beautiful addition to our group of quilts curated to feature Well Said quilts,” writes Amy. I’m delighted to tell y’all that Curated Quilts Issue #8 is out, and The 70273 Project Quilt #10 is on page 13! Thank you, Amy and Christine for thinking of The 70273 Project. It’s an honor to be included.
a page in a magazine containing a photo of and an article about Quilt #10 of The 70273 Project. The quilt is a rectangular white quilt covered with pairs of red X's.

Quilts #649 and #650 at AHEAD Conference

two women stand in front of two white quilts covered in pairs of red X's

(L ro R) Tree Kuharich, Jane Brown stand in front of (L to R) Quilts 650 and 649 at the AHEAD Conference in Boston 2019

Thanks to the encouragement of Gladys Loewen and the generous hospitality of the AHEAD – Association on Higher Education and Disabilities – leadership, The 70273 Project (Gladys Lowen, Peggy Thomas, Kevin Thomas, Andy Chambers, and I) hosted a block drive at the AHEAD 2018 conference in Albuquerque, New Mexico. Members of AHEAD – eople who work to make life on college and university campuses throughout the United States accessible and accommodating for students with disabilities – embraced The 70273 Project, and I continue to be invited to make presentations to group, deliver lectures to classes, make studio visits, and host block drives on campuses near and far. It is a thrill and an honor to talk with faculty and students who study history, art, social work, and disabilities.

Both quilts were on display in the registration area of this year’s AHEAD conference. The 119 blocks made at last year’s conference were divided into bundles for two quilts and sent to Jane Thierfeld Brown, Ed.D. who pieced both tops, channeling her family history as she arranged and stitched, remembered and reflected.
woman stands besides two white quilts covered with pairs of red X's

Tree Kuharich stands beside Quilt #649 on display at the 2019 AHEAD conference in Boston. 53 lives are commemorated in this quilt that was pieced by Jane Brown and quilted by Tree.

The top for Quilt #649 (53 lives commemorated) was sent to Tree Kuharich who volunteered to quilt and finish it with a mere 3 months notice. Tree and her husband drove to Boston to view the quilts and attend one of Jane’s presentations on neurodiversity in higher education.
two white quilts covered in pairs of red X's hang between two women

Jane Brown (L) stands besides The 70273 Project Quilt #650 and Tree Kuharich (R) stands beside Quilt #649.

The top for Quilt #650 (66 lives commemorated) was sent to Gladys Loewen who quilted it using drapery fabric that once belonged to the mother-in-law of Tari Vickery as the backing. Tari hand delivered the repurposed fabric to Gladys this spring and even though she’s not a quilter, she nevertheless enthusiastically helped Gladys baste the quilt.
Thank you to all who were involved in the making of these two quilts, to those who invite me to take The 70273 Project to their campus; to AHEAD for having us host a block drive last year and displayed the quilts this year; to Kim Richards of AHEAD for taking photos, answering questions, and distributing information about the project; and to  Gladys, Jane, Tree, Tari, Peggy, Kevin, Andy, and everyone who made a block in Quilts 649 and 650.

University of Central Missouri

I spoke with Amber Clifford-Napoleone, Ph.D., Director of the McClure Archives and University Museum last week, and she says people continue to stream in to see the more than 100 quilts that are on display at The McClure. Due to the success and positive reception of The 70273 Project exhibit at the University of Central Missouri, the exhibit has been extended to the end of the year. The exhibit is open to visitors from 9 am to 5 pm  Monday through Thursday. Thank you, Dr. Clifford-Napoleone for all you continue to do to share this historical story, and thank you for these striking photos. I look forward to being back on campus this fall to talk to classes and your quilt guild and host a block drive.

Sacred Threads

5 white quilts covered in pairs of red X's hanging on a black background

The 70273 Project Special Exhibit at Sacred Threads 2019. Thank you, Sacred Threads, for including us and for this photo.

The Sacred Threads Exhibit opened last week, and The 70273 Project is honored to have a small Special exhibit amid some of the most amazing and powerful quilts I’ve seen in a long while. I’ll be there this week, so if you’re in the area and can come by, let me know when you’ll be there and we’ll make arrangements to meet. Oh, and my quilt Playground of Her Soul will be there, too! Can’t remember if it’s in the Grief or Joy section. I asked Curator Barbara Hollinger to decide on which side of the fine line she wanted to include it. I also created my eyes in cloth, and that piece is part of the Eye Connections exhibit.
For specific information about the exhibit – like where it’s located, the hours, and registration – visit The 70273 Project Calendar

KC Studio Article

2-page spread of magazine article featuring a quilt from The 70273 Project

KC Studio / July/August 2019 edition

The 70273 Project is the subject of an article on page 26 in the July/August 2019 edition of KC Studio – an online periodical covering the Kansas City art scene. Bryan LeBeau interviewed Amber Clifford-Napoleone, Ph.D., Director of the McClure Archives and Museum on the campus of the University of Central Missouri, he interviewed me, and he visited the exhibit.  Thank you, Bryan, for being so thorough in your research, and thank you KC Studio for including us.

MoFA Stories of Importance Exhibit

Nancy and I are plum tickled to have two pieces juried into the Stories of Importance Exhibit at the Missouri Museum of Fiber Arts.  Playground of Her Soul and In Our Own Language 3 will soon be on their way to Missouri for the exhibit that runs October 31, 2019 to December 13, 2019. If all goes according to plan, I’ll be there for the opening reception and Juror’s Talk from 5 to 7 pm on Thursday, October 31. If you can come, give me something to look forward to by letting me know.

That’s All for Now, Y’all

pair of eyes made of fabric
I had my fourth eye treatment last week (July 10, 2019), and though there’s some improvement, impaired vision continues to slow me down. It’s true that we exceeded our goal of 70,273 commemorations before our third anniversary – Y’all are AMAZING – and it’s also true that  there’s still much happening in The 70273 Project, so stay tuned cause you’ll want to be part of things we’ve got coming up. I just know you will. Here are some of the ways you can stay in the know . . .

Today Eye Show You My I

eyes of gauze sewn on a fabric base of red, green, and blue. red, pink, and white ribbon roses make the eyelashes

1. Time

I recently received a message from a friend replying privately to one of my facebook posts. She (a) expressed surprise that I continue to have issues with my vision, and (b) admonished me to accept it and move on. It occurs to me that perhaps I wasn’t very clear in my posts and in my earlier explanation. Let’s see if this post helps . . .

(a) It’s not so much a question of how rapidly the wet macular progresses as it is how much time it takes the treatments to accumulate. For the rest of my life, I will receive monthly injections in my eye. I was told from the beginning that it will take at least three treatments – maybe more – before I notice any improvement in vision. In fact, that’s the very thing the clinical trial I’m in investigates: how long will this medication retain its effectiveness before needing a boost.

(b) Hit by a car in downtown Atlanta on Friday, back in the office the following Monday. Emergency Caesarean delivery with minimal anesthesia (It was offered, I refused to inhale.), up curling my hair two days later so I didn’t look such a fright. Second Caesarean delivery 14 months later, back at home the next morning to tend my newborn and 14 month old. After my first two eye treatments, we went out to lunch and ran errands on the way home. You get the picture. I am a buck-up-and-carry-on-it-could-be-worse-so-what-are-you-complaining-about kind of girl.

However, two things happened on May 21, 2019 – the day of my second treatment – that shoved me into the pit of despair. The second one was the office visit for my treatment. Usually affable, kind, and efficient to a person, on May 21 everybody got up late or sat in traffic on the way to work or I don’t know what else, but that visit was off the rails in every way it could go off, and I felt the effects mentally, emotionally, and physically. I cried the entire five hours. Instead of leaving the office confident that I can live with this, I left feeling lower than a snake’s belly. That was only 23 days ago, and it is a big thing to adjust to low vision as well as the first time I’ve allowed myself to grieve over something that changes my life. And besides, as we all know: grief doesn’t wear a watch.

2. The World Through My Eyes

image of a right eye stitched on white gauze fabric with ribbon roses as eyelashes, all stitched to a base of strips of red, green, and blue fabric

Closeup of my eye art quilt. The eyeball is made of white gauze, and the iris is a photo (printed on fabric) of what things look like to me now.

This is a closeup of the art quilt I created for the Sacred Threads Eye Contact Exhibit.  This is my artist statement written to explain this odd-looking piece that will be surrounded by unimaginably beautiful eyes.

The world comes to me through veils of gray. I know the red dirt I walk on is red only because it has always been red. Entire forests blend into one great big tree. Everything dies behind splotches of black. Nothing is straight. Trees bend. Telephone poles bend. Road signs bend. “Our windshield is defective,” I tell my husband. Details elude me. I can make our faces, but not features. I see books, but the words are smudges. I can pick up the phone and talk, but I can’t read the numbers to initiate the call.

On April 3, I am diagnosed with wet macular degeneration. On April 9 I am told that I see bad good enough to take part in a clinical trial. On April 17 I have my first treatment. For 2 years and 3 months, I will make the 1 hour and 45 minutes drive to Asheville to the retina specialist once a month for a series of tests lasting 4.5 to 5 hours. The visit begins with the visual acuity test and culminates with an injection in my eye.

Thanks to the visual acuity tests, I now know the word disheartening intimately. as I am unable to read even the largest letters on the top row of the chart. Though I enter the room feeling optimistic an hopeful, I leave in tears with drooping shoulders dragging my spirit behind me.

Much energy is spent on struggle.

I struggle to decipher what I’m looking at; to not be a burden to people who must take me everywhere I need to go; to find upbeat ways to tell both strangers and loved ones of my low vision when requesting the help I need for the simplest things, like finding my way to the gate at the airport then finding my assigned row/seat on the plane.

I eat more cheeseburgers and fries now, finding menus impossible to read.

I struggle to not scold myself or be embarrassed when I – an adult – ask for words of encouragement from those administering the tests at the eye doctor’s office. When they focus more on the procedure the on me, the patient, I remind them that my inner kindergartner responds quite well to words like “good” and “yay” and “you’re doing great.”

When having conversations with myself and others, I struggle to remain positive and to construct sentences containing portals of hope and possibility while not denying my invisible disability.

I read a book of poems that makes me laugh out loud, and while I startle at the sound of my laughter, I remember what I’ve told myself on every trip around the sun: If I can laugh at it, I can live with it. Welcome back, laugher. I’ve missed you.

3. Looking Forward

My new friend Virginia is a font of encouragement, hope, and useful information. Thanks to her example and encouragement, beginning this month, I spend the day before a treatment resting and hydrating and I spend the 2-3 days after the treatment – say it with me – resting and hydrating. Virginia reminded me that my eyes are special and deserve a little TLC.

woman in a blue blouse and a blue hat with a pink flower. she stands in front of a waterfall and trees.

Jeanne in her new Eye Hat on her way to her third eye treatment

I bought myself an Eye Hat then added – wait for it – a dahlia to smile it up a little.

man stands beside a railing overlooking a waterfall

Andy and the Railing He Build Beside our Waterfall

wooden railing to the left of a path leading up the mountain

And as if all that isn’t enough, while I was with our daughter last week, The Engineer made use of downed trees and limbs to build a railing so I can feel safe when walking up to the top of our beloved waterfall.

Oh, and never one to wear the victim role well,  last week I penned and sent an email to the clinical trial manager (I call her my handler), outlining what went wrong last time and begging for help in getting us back to the quality of care I received on my first visit. I made it light hearted, but not so much so that it buried the seriousness of my words. It felt good to be proactive for myself, express what I need, and put myself in the process of scheduling future visits (something that hasn’t happened before now.

4. Third Time’s the Charm

Today is my third eye treatment. Any positive, healing, supportive, encouragement words, energy, prayers, smoke signals will be mutely appreciated.

The Eyes Have It . . . For Now

shades used after eye dilation sewn to strips of green fabric woven together adorned with multi-colored stitches

I begin to need more light, more contrast. Then there is not enough light or contrast or magnification. I cannot read emails, magazines, menus, road signs. I notice that things seem to bend. Hard, immovable things like trees and boards on the back of trucks. Initially blaming windshields, I flick that excuse aside when realizing that every windshield in every car, truck, even the rental car I rode in at the University of Central Missouri could not be made of defective wavy glass.

Big gray shapes begin hogging the view from my left eye, making it impossible to see anything smaller than the sky. True, the shapes are interesting in form, true, I sketch them out with thoughts of stitching them One Day, but mostly they are annoying. I can’t see through or around them.

At the 6-week mark with no improvement, things become alarming.

Monday, 4/1/2019

With whispers of “in sickness and in health” tickling my ears, I celebrate the 46th anniversary of the day The Engineer and I became engaged by moving “get eyes checked” to the pole position on my substantial to do list. I begin our rare ten consecutive days at home by calling a nearby ophthalmologist I find online. As the scheduler searches for an open widow, she says, “Oh, we’ve just had a cancellation for tomorrow morning at 10:30.” I take it.

Tuesday, 4/2/2019

This morning I draw the Destroyer Oracle Card: “Releasing what is potentially destructive. Preparing for new life.”

Prepared for a diagnosis of cataracts and actually looking forward to being treated because to a person, everybody who’s had cataract surgery tells me they’ve never been able to see better. They even get to design their own vision, most choosing a lens for distance and inexpensive, over-the-counter reader glasses for reading, computer, and hobby work. I have a plan. All will be well.

Not being able to see is exhausting.

Not to mention frustrating.

The ophthalmologist doesn’t follow my script. Scans of my left eye show a lot of blood, so I am met not with a choice of replacement lenses, but  with a referral to a retinal specialist. As the opthamologist’s scheduler searches for the next available appointment, she says, “Huh. There’s just been a cancellation tomorrow at 1:30.”

Shaken, I take the cancellations as a sign. The retinal specialist will scratch his head and wonder how this ophthalmologist managed to get my test results mixed up with someone else’s or come up with such a creative diagnosis.

Wednesday, 4/3/2019

This morning I draw the Beggar oracle card: “Confronts empowerment at the level of physical survival. Awakens the spiritual authority of humility, compassion, and self-esteem.”

Two years ago, I presented my daughter with a quilt top and a promise to finish it asap. Ever since, she chides me lovingly, wondering where she finds “asap” on the calendar and wondering when will she enjoy sleeping under it. Before presenting myself at the retinal specialist’s office, we purchase threads for that very quilt. I’m not being morbid, I simply resolve to amp up and bring to cloth all the images I carry around on the inside.

I go through a repeat of all the tests from the day before and some new ones at the retinal specialist’s office, and while my visual acuity is much improved in the past 24 hours. there is more blood. In the next 12 minutes, we move quickly from tests to the dreaded “wet macular degeneration” to talk of me being in a clinical trial to actually meeting with the clinical trial manager.

Unsure if the rush is because of my vision, the progression of the disease, or of getting me in the clinical trial. I leave the office with my head spinning and my heart reeling.

Thursday morning, 4/4/2019: The Day After

I wake and am able to see better than I have been in over a month. Ignoring the images I was shown yesterday, I think thoughts from the denial column like “Maybe they’re wrong” and “Maybe my eyes were just tired”. I give myself a day of slow ease, a day that quickly becomes filled with emails, phone calls, text messages. Thanks to the efforts of my brother-in-law, I get a second opinion and decided to go ahead and apply to be in the clinical trial. The screening will the place Tuesday morning, 4/9/2019.

“Your imagination is your super power.” 

My friend Joyce texts me this reminder, and as we both know and have talked about before, there’s a flip side to imagination: fear. “Fear comes with imagination,” Thomas Harris writes in Red Dragon. “It’s the price of imagination.” Imagination is not entirely a benevolent creative tool. Imagination has a torturous side, cluing us into the worst that could happen. “Fear is often just the imagination taking a wrong turn,” writes Mary Ruefle in her chapbook, On Imagination. True to form, my imagination glides from denial into fearful overdrive, flapping around unchecked, frantically shouting “Sure, you can write without seeing, but how will you live if you can’t stitch?”

Cue my internal chorus

With denial and fear beginning to fade, my internal chorus warms up and begins chanting their ever-familiar refrains of  “You ought to be ashamed of yourself because you know good and well that people are dealing with much worse” and admonitions to “stop that pity party right this minute.” Continuing my plan to honor what comes, I listen to the chorus then bid it shush, pointing out that I have never and will not start now using other people’s circumstances as comparisons to shore myself up and feel better about my situation. My diagnosis doesn’t diminish their pain, and I refuse to use their pain in an attempt to diminish mine.

Having ridden this beautiful rock around the sun quite a few times, I don’t throw myself a pity party, I simply take the emotions as they come. Fear. Sorrow. Embarrassment. A pinch of Pity. They come, we talk, they leave. No angst, no wallowing, and fortunately, no overstaying their welcome.

Without apology, I delve into my secret stash of chocolate. More than once.

Friday, 4/5/2019: The Day After The Day After

Knowing that things are piling up in my absence from the computer, we go into town and buy me a pair of reader glasses that I wear behind my prescription reading glasses, and while I can see somewhat better, I still struggle to make out even the enlarged words on the screen, tire quickly, and take frequent eye rest breaks. And so it continues for now.

Note: “I’m going to rest my eyes a bit,” my grandparents used to tell me. Silly me, I thought they were using code for “I’m gonna’ take a nap.”

Onward

If you are part of or wanting to become part of The 70273 Project Tribe and are waiting on quilt labels, bundles, a reply to your email, or something else, please accept my apologies for my tardiness. It’s now Sunday, 07 April 2019, and I’ve been working on this post for several days. Taking the aforementioned eye rest breaks take time, Reading a screen filled with words in 40-60 point fonts takes time, too, as there’s room for no more than 5 words on the screen at a time. That one caught me by surprise. I will get my daughter Alison to proof this (she surprised me by coming up to spend several days with me!), mash the publish button, rest my eyes, then move into the studio to begin checking in blocks and quilts. Replies to emails may have to wait till tomorrow. We’ll see.

The 70273 Project is an international endeavor, amazing in the magnitude of geography, numbers of people, and kindness. With my whole heart, I thank y’all for using your imagination as a force of good – for showing me the patience, understanding, kindness, and compassion you continue to show those we commemorate. Your good wishes comfort me, your continued petitions for healing encourage me,  and stories from your personal experience fortify me.

Updates to follow, I promise.

~~~~~~~

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University of Central Missouri, Here I (Um . . . We) Come

woman with pewter colored hair and red heart-shaped glasses stands in front of a white quilt covered in pairs of red X's

The largest exhibit to date of The 70273 Project quilts will be on display at The McClure Archives and University Museum on the campus of University of Central Missouri from March 28 to August 24, 2019. More than 100 quilts of all sizes will be on exhibit at The McClure – including lots and lots of blocks and quilts made by residents of Missouri – making this  the largest exhibit since the International Quilt Festival in November 2017. Thank you, Amber Clifford-Napoleone, Ph.D., Director of The McClure and Associate Professor of Anthropology (and she’s a quilter, too, me thinks) for making this happen.

Jeanne to Deliver Opening Lecture

On March 28 2019, I’ll deliver the opening lecture at 11 a.m. in Elliott Union 240 with a reception following at The McClure. Both are free and open to the public. If you can be there on 3/28, promise you’ll come be in the audience for the lecture and stay for the reception so I can call you “Sugar” and thank you to your face.

Hours, Directions, and Parking

The McClure is open from 11 a.m. to 5 p.m.  Monday to Thursday. You can find more info on the calendar.

Elliott Union is located on the northeast corner of Holden and Clark streets, on the campus of the University of Central Missouri, approximately 50 miles east of Kansas City.

Free visitor parking is available in visitor parking lots. HERE is the link to the campus map.

Sacred Threads or Bust

little girl's white dress with sash sewn over a black quilt filled with colorful stitched scribbles

closeup of the white dress sewn onto a black quilt covered with colorful stitched scribbles

As many of you know, I stitch the marks of my sister-in-law Nancy in my spare time. I’m tickled to tell you that Playground of Her Soul, stitched selections from Nancy’s first five sets of drawings,was recently juried into the Sacred Threads exhibit (don’t you love the name?) and will be headed to Herndon, VA where it will be on exhibit from July 11 – 28, 2019. Do make plans to visit because it promises to be be an amazing exhibit. And let me know when you’re going ’cause if we’re there at the same time, I sure would love to call you “Sugar” to your face.

The 70273 Project Special Exhibit at Sacred Threads

There will also be a Special Exhibit of a few quilts from The 70273 Project on display there, and since it’s within spittin’ distance to Washington, D. C., please let me know if you know anybody who’s connected with the U. S. Holocaust Museum. Barbara Hollinger, Curator of Sacred Threads, had the good idea for me to invite people from the U.S. Holocaust Museum to see The 70273 Project quilts on display there and to hopefully get the ball rolling towards an exhibit at the Holocaust Museum.

Visit the calendar for more information about the Sacred Threads exhibit and more. Hint: if you click in the upper right hand corner of the page where it says “view as” and select the option for a “list view”, it makes it easier to find things. At least for me it does.

Eye Contact: Making a Connection

If you’d like to be a part of Sacred Threads, there’s still time. When The 70273 Project was a Special Exhibit at the International Quilt Festival in November 2017, Barbara Hollinger had a Special Exhibit of the most exquisite wind chimes right next door to us. We met, Barbara and I did, and as we talked about the importance of meaningful conversations,  we both had a flash image of eyes. You know how it goes, we shared goosebumps and descriptions of what we were seeing in our mind’s eyes, and Barbara took that exchange home with her and made it part of this year’s Sacred Threads exhibit. If you’d like to make and send some cloth eyes, here’s how.

Shattered

orderly black and white blocks become black and white lines skewed and scattered. pink collar from a little girl's dress adorned with pink ribbon roses lays on black and white blocks.

Shattered / 24″ w by 27″ h / January 2019

Artist Statement

Nancy was born into a family of engineers. It was a world of perfect order, straight lines, black and white. If you followed the formulas, the blueprints, the textbooks, you got to where you wanted to go. There was safety, predictability, and the future was bright.

When teenagers hung three year old Nancy by the neck from the swing set, the world went sideways. Lives were shattered. Order became chaos. Black and white grids became shards. The formulas led to nowhere familiar or comfortable.

It was a fissure of stability and security.

Nancy is my sister-in-law. Today she is in reasonably good health, content with whatever she has, and smiles more than she frowns. She has a vocabulary of about 12 words, and 6 of them are the word “love”.

In June 2012, Nancy began making marks, and since June 2012, I stitch her marks.* Though she gives no indication that she understands our collaboration, it has deepened our relationship in ways I never dreamed possible and opened my life in ways I never dreamed imaginable. Nancy is my Wise Woman, and I am a better woman because she is in my life.

*The drawings you see on the shards are some of her first drawings.

A closeup of Shattered

Another closeup of Shattered

Personal Note and The Particulars

I love emails that begin with “Congratulation,” like the one I received a week or so ago telling me that Shattered was juried into the Fissures Exhibit at the Emerald Art Center / 500 Main Street / Springfield, Oregon. The exhibit opens on Tuesday, March 5, 2019 and closes on Saturday, March 30, 2019. From 5:30 p.m. to 7 p.m. On Friday, March 8, there’s the Artist’s Awards Presentation and reception that’s part of the 2nd Friday Art Walk. If you can attend, let me know ’cause I just might be cooking up a road trip and would love to meet you there.

Color Me Grateful

As we travel doing presentations and block drives for The 70273 Project the past four weeks, The Engineer and I have seen 3 ocean views , , ,

large rocks in the ocean with much white foam

Mendocino, California

massive, mountainous rocks surrounded by light blue ocean under gray skies

Mendocino, California

woman in pink hat and blue glasses stands beside a white-haired man in front of the ocean

The Artist and The Engineer in Mendocino, California

a fuzzy sun shines down on the clouded blue sky over the ocean

Mendocino, California

sun shining in blue sky over ocean surrounded by rocks

Acadia National Park in Bar Harbor, Maine

white haired man stands beside woman in pink hat in front of the ocean

The Engineer and The Artist at Acadia National Park in Bar harbor, Maine

white foam of the ocean splashing on huge rocks

Acadia National Park in Bar Harbor, Maine

blue sky over beach and a black bird

Daytona Beach Shores, Florida

woman wades in ocean under a blue sky

My mother wades in the ocean at Daytona Beach Shores, Florida

grasses, sand, ocean, blue sky

Daytona Beach Shores, Florida

the moon shines over the ocean

I see the moon, and the moon over Daytona Beach Shores seize(s) me

Three oceans – the same because they’re all awesomely impressive bodies of water, each different in its own way. That’s the way I like oceans, and that’s the way I like people – the same because we’re humans, delightfully unique in our own individual ways. On whatever path we met – writing, stitching, through The 70273 Project; whether we met in school or through other friends or as a result of an unanticipated coincidence, on this US Thanksgiving Day – and on any ordinary day, for that matter – I am tickled and thankful to have you in my life. Grateful for all the goodness, kindness, and compassion you continue to  spill into the world.

Choose one . . . or both:
Happy Thanksgiving.
Happy Thursday.

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