+ Her Barefoot Heart

Category: Blog (Page 69 of 101)

News of The 70273 Project with a side of Jeanne’s Barefoot Heart

a dove is born

Bird1

Talk about living in the realm of unknowing, that’s where I seemed to have pitched my tent today. This piece of my altar cloth started out as the image that appeared as a response to Pablo Nerusda’s poem called An Ode to Ironing:

Poetry is white
it comes dripping out of the water,
it gets wrinkled and piles up.
We have to stretch out the skin of this planet.
We have to iron the sea in its whiteness.
The hands go on and on
and so things are made
the hands make the world every day,
fire units with steel
linen, canvas and calico come back
from combat in the laundry
and from the light a dove is born
purity comes back from the soap suds.

I saw a sky filled with clothes (probably dirty) falling to earth, forming a dove. But somehow in the stitching, my hands created this, and because I have no idea what my hands are trying to tell me, what they wish to convey, I will leave you with this:

Creating art is like dreaming; there are a multitude of layers that can’t be exhausted with just one sitting.

and this:

In creating altars, we fill a personal space with the power of our own intentions and longings. We take seriously the deep desires of our hearts.

both from the pen of Christine Valters Paintner.

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drops

Falls

every drop
is an individual.
and oh my goodness gracious,
just look
at the power
they generate
when they
comes together
without forfeiting,
without giving up,
without yielding,
their own unique
well, dropedness.

tonight, as every night,
and every day,
i celebrate
individuality.
to all who
gather
around common interests
but refuse
to flock.
to all who
travel the
same path,
but refuse
to be herded.
to all
who think
for themselves,
ask questions
(sometimes pointedly),
who aren’t afraid
to sense
and feel . . .
i bow to you
and whisper
“please don’t
ever stop.”

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spirals

Hivestainedglass

Enter (I hope) the long sentence: the collection of clauses that is so many-chambered and lavish and abundant in tones and suggestions, that has so much room for near-contradiction and ambiguity and those places in memory or imagination that can’t be simplified, or put into easy words, that it allows the reader to keep many things in her head and heart at the same time, and to descend, as by a spiral staircase, deeper into herself and those things that won’t be squeezed into an either/or. With each clause, we’re taken further and further from trite conclusions — or that at least is the hope — and away from reductionism, as if the writer were a dentist, saying “Open wider” so that he can probe the tender, neglected spaces in the reader (though in this case it’s not the mouth that he’s attending to but the mind). ~ Pico Iyer

the amazing thing about committing to (at least) a year’s worth of altars – committing to stay – is that i see altars everywhere, even in long sentences.

POP QUIZ:

Was there a spot in your day when you paused and paid attention to a tender, often-neglected place in your life physical or otherwise)? What led you there? Who or what held the space for you?

That’s what altars do for me: They slow me down, open the way to a deeper, more meaningful engagement with life.

How ’bout you?

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altars all around

Landscapeofcows

People ask me: why do you write about food, and eating and drinking? Why don’t you write about the struggle for power and security, and about love, the way the others do? The easiest answer is to say that, like most other humans, I am hungry. —M. F. K. Fisher

Tonight I am hungry for quiet, for stitching, for reading. I seem to be empty of words, but I will tell you that there are some beautiful altars happening out there in the ethers.

On the 365 Altars Facebook page, you should just see the altars Sunny Howe and Karen Sharp are creating every single day. Mesmerizing. Touching. Intriguing. Beautiful.

Then there’s this altar and this altar and this altar and this altar.

and last but not least, there’s this altar and this altar.

Just a small sampling of beauty being created all over the place, one altar at a time.

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maybe

Maybe

from my journal, dated 12/25/11 (but still true):

maybe it’s because i have a tendency to live, think, walk and breathe in metaphors.

maybe it’s because i’m still too invested in pleasing others.

maybe it’s because i don’t have enough degrees.

maybe it’s because i don’t travel enough, don’t cook enough, don’t . . . don’t . . . don’t. . .

maybe it’s because i have far more questions than answers.

maybe it’s because i’m unwilling or distrustful or too egocentric to just take what you tell me as the gospel truth.

i don’t know why,
i only know that
i have a restless soul
that wants to be
listened to deeply
loved wholeheartedly
seen lightly
touched tenderly.
my spirit
begs space to ask
the questions
and patience
to find the answers
understanding
that the answers
might be
more questions
or a painting
or dance
or cloth
or sky
or grass
or weeds
or fire
or rain.

my soul
has an itch
that no amount
of over the counter
analgesic
or prescription
anti-itch
ointment
can soothe.
and the worst part?
the itch moves
and shifts
and enjoys
playing
hide and seek.

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scraps

GMBquilt1

it is the sixth day of sun and blue skies we’ve seen since thanksgiving, so we do the only thing that makes sense: we leave. we trek to a nearby town in search of an air purifier – that was our official excuse – and after spending, oh i don’t know, maybe two minutes on that search, we walk up and down main street, ducking in the human society thrift shop – where i found two national geographic magazines i can’t live another day without – then on down to one of the many antique shops on the square.

we see christening dresses, white gloves, a colonial war metal warming plate. we see a small perfume bottle in a sterling silver case that snaps closed with a definitive click. we see an entire cabinet full of keys . . . alas, but no roller skate key. if the woman who talks to herself is to be believed, we see a bible box and an ice cream plate. she begins to talk to me, generously sharing with me news of the best deal around: a mining spot in cherokee, n.c. where you buy a bucket for $13 and set to mining. she went there not long ago, and having decided to hold onto the smaller stones in their natural state, she is heading back over tomorrow to pick up her 3 carat emerald that’s being cut. the man doing the cutting reckons that one stone alone is worth $3,000.00 to $4,000.00, and she wonders how on earth they can make money with buckets costing only $13 each, but soon enough she answers her own question: they own the mining rights AND they get paid to cut and set the stones. she doesn’t think she’s tall enough to pull off wearing a four carat emerald, so she’s fine with the smaller three carat stone.

when she picks up her cut stone, she’ll pay for two or three more of those $13 buckets, hoping to raise enough money to purchase the ten acres on the market for $10,000. it’s uncleared land, but she figures she will sell the stones to pay for the clearing of five acres which she’ll then sell and use the proceeds from that sale to clear the other five acres and have clarence come put her a trailer there where she’ll live happily ever after.

///

spying the glass-front filled with jars and bags of marbles, the young mesmerized boy says pointedly, “dad, do you realize i don’t have any marbles?”

“oh you have some marbles,” his dad says, distracted with the boxes filled with hinges and door knobs and such he’s rifling through “you’ve just lost them.”

///

we see a naked baby doll that’s much the worse for wear, her skin all cracked and peeling, one eye permanently closed in a wink, her smile faded but still radiant. i want to bring her home and love her.

a smaller doll lies in the box with her, a doll so small you can hold her in the palm of one hand. her tag says “porcelain doll missing,” and sure enough both feet, one hand, and one arm up to the elbow have been amputated. i don’t know how to fix her, so i hug her, lay her back down, and wish her well.

///

as i stitch the evening away and as the scraps of fabric find their way together into a new cloth, these lines by nikki giovanni comes to dance in the eye of my needle:

When I am frayed and strained and drizzle at the end
Please someone cut a square and put me in a quilt
That I might keep some child warm
And some old person with no one else to talk to
Will hear my whispers.

///

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