Jeanne: Do you want to ride in the convertible?
Nancy: Yes.
Jeanne: Do you want to spend the night with us at the hotel?
Nancy: Yes.
Jeanne: Do you want to go shopping?
Nancy: SHOPPING!!!!!!
[I took that as a yes.]
Jeanne: Do you want to walk on the beach?
Nancy: [crickets] [Nancy does not like to walk.]
Jeanne: Do you want to look at the ocean?
Nancy: It’s green!!!
We went down to visit Nancy this weekend.
She didn’t know we were coming.
There were rides in the convertible
a spend-the-night in the hotel on Saturday night
shopping
and time spent looking at the ocean
the lacy, green ocean.
There was also drawing
of course.
86 drawings made at school since our visit in late October
and 46 drawings made in the hotel room.
The two batches make up
In Our Own Language 18.
132 drawings.
Note the color choices
the use of negative space
the border
the movement.
She continues to make this shape
a vessel, I call it.
It will play a prominent role
when I begin to stitch these.
In Our Own Language 4:22
Right now,
I’m still stitching
In Our Own Language 4.
Yes, four.
~~~~~~~
Nancy, my developmentally disabled sister-in-law draws.
I, the woman who flat-out loves her, stitch her drawings.
His life is told in hats made of a different material than the straw and felt fedoras his granddaddy tipped by way of a how-do-you-do to people he passed when driving to town and back . . .
As a young boy, Stacy’s mother dressed him in white linen shorts with white suspenders, white knee socks, white bucks, and a white linen beanie hat and brought him to the green grass (okay, clover) and red clay of Grandmother’s Georgia yards. I’ve often wondered if his wardrobe was a reflection of his mother’s sense of style, an indication of early onset dementia, or if maybe she was preparing him for people he would inevitably encounter later in life – people who wouldn’t like the way he looked, or talked, or thought, or led. I don’t know if the clothes are to blame or not, but I don’t remember Stacy ever once taking a turn sweeping the red clay front yard with that broom made from switches Granddaddy lashed together with a length of twine.
In high school, Stacy donned the plumed headgear of a drum major. Now I think it’s safe to say that out of 14 cousins, he is the only one who paraded around in front of anybody . . . unless you count The Program Grandmother staged every Christmas morning. On that one day of the year, she paraded each one of her grandchildren – a.k.a. piano students – out to spin the bench to the right height, take our seat, and impress the parents with how fluently our fingers tickled the ivories. That’s what 13 of us did anyway, but Stacy? He played the trombone.
Yes, the trombone.
What few parents were left by the time Stacy’s name came to the top of the list fled the room before the mouthpiece touched his lips. Most of them didn’t bother to come up with an excuse, either, they just left.
Now law enforcement runs deep in our family. Granddaddy was a Revenue Agent and the town’s Sheriff, and today there are police, detectives, and a district attorney at our table. After high school, Stacy flipped the proverbial coin to decide which path to take and wound up in law school, later securing a job as legal counsel for a large corporation in Atlanta. But eventually, regardless of heads or tails, Stacy knew he must pursue the road not taken, and that path eventually earned him the honor of wearing the traditional ceremonial headdress of an Episcopal Bishop.
An Episcopal. In the midst of a bunch of Baptists . . . and me.
Stacy and I don’t always see eye to eye on Big Things like religion, you see, but here’s the thing: we have long, deeply profound, amazingly intricate conversations that never end up with blood shed because we are secure enough in our own belief systems to know that there is no One Right Way. Our confidence, coupled with our love and respect for each other leaves us feeling no need to convince the other, which makes way for good old-fashioned conversation of the back-and-forth variety. Stacy never tries to save my soul, though he does occasionally attempt to repair it from wounds inflicted by my early religious upbringing experiences.
White linen beanies.
Plumed drum major topper.
The traditional ceremonial headdress of an Episcopalian Bishop.
I’ve never seen Stacy wear a baseball cap, and I don’t remember any cousin ever laughing at him or poking fun at him behind his back because of anything he wore or didn’t wear on his head. They didn’t refrain from fear of the punch in the nose they would most surely have received from me had they ever engaged in such behavior. They refrained because while he may have been different – let’s be honest: odd – he is a cousin – blood kin – and that matters around here.
Several years ago, on his sixteenth birthday, I took Stace to get his driver’s license. Today is his birthday, and if math and memory serve me well, this is yet another milestone birthday. Because I’m simply not a good enough woman, the list of people I love unconditionally is short, but rest assured that Stacy’s name is on it. Up near the top.
I made this for my son, Kipp
to tell the story of the time his dad and I took him to Sliding Rock, NC.
I call it Elixir.
It’s made from the sleeve to a jacket I never got around to finishing,
representing the shoulder he used to lay his head on to cry
or to sleep.
The arms that once cradled and rocked him.
It’s reversible, this sleeve,
going inside out
just the way he continues to turn my heart inside out.
The border fabric reminds me of Georgia’s red clay,
parched in Kipp’s birth month of August,
cracked like the back of an old man’s neck.
The driftwood came from our falls here in NC,
the rock is a piece of granite from Georgia,
perhaps from the same quarry where his Granddaddy once worked.
Not only did The Engineer cook so I could keep stitching,
he helped me figure out how to hang it,
and found the driftwood,
so we both signed the label.
It is one of my favorite memories,
this story of resilience
and determination
and a fun day spent together.
There will be more stories,
some perhaps saved in stitch,
because next year I add Grandmother to my resume.
But don’t call me that.
Help me come up with a name that’s much, much more flavorful.
Something tarty, perhaps.
The expectations.
The disappointments.
The memories.
The losses.
Most years I manage to peel myself out of bed,
put one foot in front of the other,
and turn up the perkiness factor
so I don’t drag others down.
But that requires more reserves of energy
than I can muster this year.
So I’ve tucked into the studio to stitch.
Cloth and thread in my hand
comforts me
and restores my soul.
She was a formidable woman, my great Aunt Addie was, driving herself around town in the car she bought for herself at a time when most men in the county still hitched a mule up to the buggy to get them where they wanted to go. She was mayor of Woolsey, a small community in Fayette County, Georgia, and when she got her hands on some Works Projects Administration funds, Woolsey got new sidewalks.
She married later in life, and then only when her sister, Lizzie, saw fit to die and leave an eligible widower. Yes, Miss Addie Ballard married her brother-in-law, J. M. (John) McLean on April 27, 1923 and thus became step-mother to the only children she would have: her nieces and nephews.
Aunt Addie wasn’t talked about much in the family, probably because she was considered an uppity woman, for one thing, and on account of that time she shot Uncle John “under the sheets” in February 1953, an event that culminated with her being declared a “lunatic” and landing her a stint in the Milledgeville State Hospital (originally named the Georgia Lunatic Asylum when it was built in 1883), for another.
It took me decades to pry this much of her story out of The Family Elders. My uncle, perhaps impressed with my tenacity (or more likely, thinking it would make me hush up once and for all), presented me with a copy of Aunt Addie’s commitment papers, and I’ve a copy of her marriage license, her will, her United Daughters of the Confederacy membership papers, and a single photo of her in my possession. To this day, I remain intrigued with this black sheep of the family. Long ago, I began asking everybody who might have known her or known of her, “What can you tell me about Aunt Addie Ballard McLean?”
One day while lunching with Ferrol Sams (Sambo), I asked him about our shared ancestor. “I always wondered what made her sad enough to do such a thing,” he said by way of answering.
He went on to tell me about being called down to Aunt Addie’s house early one cold winter morning. It seems she’d gotten up during the night to go to the bathroom, according to Uncle John, then she came back and got into bed. At one point, Uncle John, greatly annoyed that she was disturbing his sleep with all her moaning and groaning, said, “Addie, be quiet. I’m trying to sleep.”
His slumber resumed, and when the rooster cock-a-doodle-do’ed Uncle John awake long about sunrise, he found Aunt Addie lying in a pool of her own blood. Apparently when she’d gotten up to go to the bathroom during the night, she shot herself in the side before returning to crawl back into bed.
While a patient in Milledgeville, Aunt Addie mailed poems, letters, and a recipe for Orange Pie to Mother. (I transferred every piece of her correspondence to fabric, and that’s what you see in the background.) She even sent Mother her gold thimble in its silver case for safe keeping (something I’ve been assured will become mine One Day).
I’ve talked to somebody in Milledgeville, who looked it up while I stayed on the phone, and they tell me that they have a card with more information on Aunt Addie – like when and into whose custody she was released. Just as soon as I can figure out what kind of court order is required, I’m going down there to get a copy of that information for myself. I hope not, but it may be the last bit of information I ever get on Aunt Addie, a woman I’ve chosen for one of my Pink Galoshes Portraits of Irrepressible Women.
~~~~~~~
Painted, stitched, written, or performed, stories – even family legends – are fluid, changing and evolving any time a new kernel of perspective, information, or context drops in. But that doesn’t mean we shouldn’t tell them, hold them dear, or tuck them in with the good silver to pass on to future generations.
Stories unite us and give us roots . . . and wings. Stories bolster us in time of turmoil; buoy us in times of despair; and anchor us in times of doubt. They remind us of who we were, who we are now, and who we can be. They remind us of what stock we come from.
When we gather around the table, ’tis stories that nourish us. When we hold hands around a campfire, ’tis stories tucked into our palms. And when we make a toast, ’tis stories that fill the glass we raise.
Stories are the best gift ever.
Stories are oxygen.
~~~~~~~
For those of you who’ve read shotgun through the 100 days of story, thank you for all the encouragement and support. Despite the typos and mistakes that can’t be blamed on electronics, I’ve made new friends around this digital campfire, good friends have become better friends, and I’ve even been reunited with a friend (Vonnie) from graduate school who I’ll tell you more about later. Many of y’all have gifted me with your own stories, which goes into my daily list of things I’m grateful for every time. However you tagged along in this exercise, I thank you from both my heart and my fingertips . . . fingertips that are now going to go have conversations with cloth and thread for a while.
(Either something went horribly awry when this picture was developed
or Daddy was having a bad hair day)
When I think of Eve, I think of Eve from the Bible, who, in this neck of the woods, is still very much maligned and blamed for everything gone wrong. There are still far too many hot spots where women in general – just because they share gender with Eve – are maligned by proxy.
I think of the eve of my wedding, some 42 years ago, when groomsman Tom Porter arrived late for the rehearsal, making a rather dramatic entrance for someone who hasn’t darkened the doorway of a church in I don’t know how many years, by entering through the choir loft. I think of how he later whispered to me it was my last chance to run away with him. And who could ever forget when he publicly stole the show by answering the what-do-you-do-for-a-living question asked by the Baptist preacher’s wife with “I sell whiskey in Underground with Andy.”
I think of the Hewell Family Torture Chamber Christmas Party always held on Christmas Eve. Though I don’t know when, I’m pretty sure I know why our childless great aunts decided it a good idea to open presents one at a time with adults going first then pass each gift around the entire room before opening the next gaily wrapped box. And as if that wasn’t horrible enough, they meticulously cut every little piece of tape with scissors, ensuring clean edges for wrapping next year’s gifts. If they could’ve peeled off the tape without the paper sticking to it, they would have saved money on tape, too.
I think of New Year’s Eve and the thrill of a fresh start and how I’m now of an age to know that the year is filed with 365 New Year’s Eve, each day a fresh start and new beginning.
My body remembers The Night Before A Test Angst, and that’s a little what I feel now, on the eve of my 100th story, when all the stories I meant to tell you but didn’t parade themselves in front of me . . . some making a face with their tongues stuck out.
Mother called me tonight to make sure I knew about the atrocities that happened in Paris. She says it reminds her of when Pearl Harbor was attacked. The shock. The horror. The disbelief. The inability to comprehend such acts of man’s inhumanity to man. The incredible, unending sadness.
Being one who believes in the power of collective goodness, maybe we can make an effort to be kinder than usual to those around us right now. And offer up prayers to the victims of this inconceivably inhumane act as well as their friends and families.
Daddy used to have breakfast at Hardee’s every morning, kicking his day off by leisurely sharing coffee and swapping stories with friends. Yesterday Alison and I had breakfast at Hardens, and sitting at the table right next to us was Bobby Kerlin and his wife, Jean. As we stood there swapping stories, Bobby told me a story about my granddaddy . . .
When Bobby was a younger man, Sam Jones was selling a car, and Bobby wanted to buy it, but he didn’t have the money, so he walked across the road to the bank and said to my granddaddy, “Mr. Crawford, I want to buy a car.”
“What car?” Granddaddy asked him.
“That red and white car right over yonder,” Bobby told him, pointing out the window. “Sam Jones is selling it, and I’d like to buy it.”
“How much does he want for it?” Granddaddy asked.
“$900.”
“How much do you need?”
“$900.”
“Well, okay. How do you want the money?” Granddaddy asked, and Bobby, who was taking out his first loan ever, said, “Cash.” After Granddaddy counted out $900 into his hands, Bobby went across the street, paid for the car, and drove it home.
About two weeks later at the supper table, Bobby’s daddy said, “I got a call from Mr. Crawford at the bank today.”
“What did he want?” Bobby’s mother asked.
“He wants me to come by and sign some papers for the money he loaned Bobby to buy Sam’s car.”
Two weeks later – did you get that part? Granddaddy loaned Bobby the money then called to get his daddy to come sign the papers two weeks later. That’s the way banking was done back then: people did what they were supposed to do. Folks helped each other out. A person’s word and their name and their reputation meant something. People felt a responsibility to maintain the family’s good reputation, too. And trust ran rampant.
~~~~~~~
That’s Granddaddy there on the far right in the photo above. For all you Fayette County natives, bonus points if you can name the other folks and tell me where the picture was taken.
I remember the draft.
I remember the long list of names in the weekly newspapers.
I remember the casualty and death counts at the end of the daily 6:00 news.
Many were 18-20 years old.
When their tour was up, they were told to shed their uniforms as quickly as possible and once they donned civvies, to never go outside in their uniform again. They were told to let their hair grow out as quickly as possible. They were told to expect people to yell vile things at them, to hurl harmful objects at them, to spit on them.
I know people who experienced all of those things.
My father-in-law graduated from Georgia Tech two weeks early, the ceremony moved up to accommodate World War II. “We went up on one side of the platform,” he told me, “to receive our diploma, then off on the other side to receive our orders.” Most of young men went straight from graduation to the altar to get married, then shipped out that afternoon.
Today is the day dedicated to thanking veterans for their service.
It’s something many of us do on this one day a year or maybe when we see a man or woman in uniform at the airport, but it’s something my daughter, Alison, does every chance she gets. She started years ago, performing as Betty Grable at World War II events. She puts her hair up in curls, dons stockings with seams up the back, coats her lips in truly red lipstick, and sings. When she walks in, decades fall off the faces of the WW2 vets. They smile bigger and stand straighter as they are mentally whisked back to the 1940s when they were 18 to 20 years old. Many of them are in their nineties now, but they still know how to appreciate a pretty woman. And when Alison (a.k.a. Betty) plants a red hot kiss on them, they don’t shave for at least two weeks. Some of them devilishly turn their head at the last minute so she winds up kissing them on the lips instead of on the cheek.
Alison formed a trio called The Freedom Belles not too long ago, and they have a repertoire that spans decades. Recognizing the importance of music in our culture and history, The Freedom Belles are dedicated to celebrating the past and keeping history alive in 3-part harmony.
They perform at corporate and special events, heritage re-enactment events, patriotic events, memorial services, and air shows, and while most are able to pay them, many smaller community events and VA hospitals are not. These women love what they do and are enthusiastically and wholeheartedly dedicated to their mission. They want to say Yes and honor veterans every chance they get, regardless of compensation. But the reality is that even when they donate their time and talent, there are still fixed, out-of-pocket expenses like travel, room and board, and music.
That’s where you come in.
Today Alison launched a Go Fund Me page to help raise money to continue their mission and help them say Yes more often, and they could sure use your help. Besides the usual and customary business expenses like business cards, postage, banking fees, and office supplies, they have travel and wardrobe expenses, (those seamed stockings aren’t cheap!), music expenses (royalties, arrangers, and background tracks, for example), and they’d like to hire an attorney to help them set up a 501(c)3 non-profit corporation that will allow them to accept tax-deductible donations on an ongoing basis – contributions that will be ear-marked for non-paying events to honor veterans.
They want to become self-sufficient, and to create products to sell would help fill their coffers, but there are costs there, too. They want to record albums, and that requires paying for studio time, music rights, mixing, designing labels, and who knows what else. They have plans to sell their own line of lipstick, to create yearly calendars, to have t-shirts made. They have other ideas that are wildly fun and creative . . . and require start-up capital.
The Freedom Belles performing at Candler Field Museum’s Vintage Day
November 2015
(Yes, that’s really Alison, performing a little over 2 months after her surgery.)
Won’t you help them continue to honor and entertain America’s veterans by making a donation? If you’d like to make a donation as a gift, all you have to do is make your donation then send an email to BookFreedomBelles (at) gmail (dot) com), and they’ll see that the recipient is notified or, if you want to wrap and deliver it yourself, they’ll send the gift card to you.
And maybe you’d be willing to help spread the word about their fundraising page by telling friends and family and posting on your social media sites? You can find their fundraising page at www.GoFundMe.com/TheFreedomBelles.
Do you know somebody who has an event coming up that might be looking for entertainers? If so, please pass Alison’s contact information along or get in touch with Alison so she can contact them.
Visit their fundraising page to see more photos and watch short videos of The Freedom Belles in action.
It’s not about whether you’re against wars or not – nay, this far transcends that. This is about paying tribute and expressing appreciation to the individual men and women who served – whether it was their idea or not – to protect us and preserve our freedom. There are so many ways to help these energetic, talented, dedicated young women, and all are greatly, hugely, enormously appreciated.
here ‘n there