+ Her Barefoot Heart

Tag: tribute (Page 4 of 8)

Happy Birthday to Nancy

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Today is Nancy’s birthday. We called her, but Nancy never has quite mastered (or bothered) with telephones. She does, however, like postcards, so perhaps you’d like to send her one every now ‘n then? I probably should mention that it’s an exercise in letting go to send her a postcard because somebody has to deliver it to her, read it to her, and tuck it away somewhere, and that’s a lot of hands that might get busy or distracted or just never get around to it. When I go visit, I seldom see any of my cards, but who knows why, so I just say Whatever and hope that somehow in the inexplicable magic that connects us, Nancy knows I’m thinking about her when I select, write, and mail the postcard.

If you feel like it, send postcards to Nancy Chambers/Gatlin Cottage/Duvall Presbyterian Home/POB 220036/Glenwood, FL 32722-0036. And hey, thank you.

patterns of being

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As a little girl, I’d spend the occasional Friday night with my grandparents. On Saturday morning, my grandmother would shake me awake: “Jeanne, are you awake?” she’d ask over and over with increasing volume. “Yes ma’am,” I’d eventually say. Upon her order, I’d sit up and look at her only to hear her say: “I just wanted to tell you to sleep as long as you want to.”

My granddaddy would feed me cornflakes then load me into his faded red-and-white Ford Fairlane and drive me around the county, pointing out every family’s homeplace. Back then, folks around town gave directions using family homeplaces as markers for turns or mileage. I still do.

Aunt Rene came into possession of the house when the elderly man she cared for died. Though she lived somewhere else for a period of time so Uncle Bill could be near his work, that white board house in the middle of town was Aunt Rene’s house for as long as I can remember. Forgetting to turn the stove off was bad enough, but when she began to dose them (her sister, Lucy, had come to live with her by then) their tablets several times a day because she couldn’t tell the difference between waking from a nap and waking from a night’s sleep, moving The Girls to an assisted living home became an undeniable, unavoidable necessity. Though she was less than thrilled with her change of address, Aunt Rene eventually settled in, flirting with the single men and finding a bigger pocketbook to hold her frequent Bingo winnings. She was quite the social butterfly, that one.

Shortly after the move, Aunt Rene began to collect napkins. We’d go out to eat at a restaurant, and while we paid the bill, she’d open that big ole’ pocketbook of hers and empty the napkin holder into it, never taking the holder itself, mind you, only its contents. I gave her packages of napkins purchased at restaurant supply stores in hopes of quelling her sticky fingers, but it simply was not the same.

She also became an avid collector of cardboard boxes – empty cardboard boxes, thank goodness – availability taking precedence over size. “You just never know when you might need a good empty box,” she’d tell me in what I declare was a tone of pride in her voice when I asked about the growing mountain of boxes in the corner of her room beside the bed. About once a week (sometimes twice, depending), Mother and/or I would go by rid her room of most of her stash, always respectfully leaving a few behind.

It was actually a rather endearing (if frustrating at times) behavior. Though she never gave us more of an answer than the standard you-just-never-know answer, I ‘spect those boxes were a throwback to times in her past when, from what I hear, she could fit everything she owned into a small cardboard box and still have room left over. And I ‘spect they represented the future. Though she quit talking to us about it, I’m quite sure the hope of one day filling those boxes with her earthly belongings and moving back to her home never completely left her. And every now and then when I think about Aunt Rene and her boxes, I imagine that maybe those boxes made her feel in control of her life somehow, if for no other reason than she and she alone would decide what to put inside them.

I think about Aunt Rene when I remember how as an undergraduate student, I transformed empty boxes into nightstands and coffee tables through the magic of paint, tape, glue, and old magazines. I think about her when I fill boxes with things I just can’t yet let go of, telling myself “The children will want this one day.” I think about her as I poke around in search of boxes to hold my various projects, boxes as creative containers that will keep visual clutter to a minimum while making it easy to start and stop without having to pull everything out or put everything up. It is a throwback to the days when to save time and conserve mental capacity, I had a tote bag for every organization I was affiliated with, filled with what I needed for that particular group, a way to grab and go. “What in the sam hill are you going to do with that?” my husband asks as I pick up an old hat box at the thrift shop. “Well,” I tell him as I continue to survey and assess, “you just never know when you might need a good empty box.”

production or process?

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Though I love my sewing machine (It was under the first Christmas tree I put up as a married woman some 40 years ago – my husband bought it for me with money he won in a radio contest.), I prefer hand stitching.

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I love the way the fabric ripples up into ridges. How the feel of the cloth changes as I go. I love having an image in mind, then fiddling and grappling to create it in cloth.

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Decades ago, I would’ve been horrified for you to see my knots, embarrassed at rows of stitches that go the way of handwriting on a sheet of unlined paper. But now? I swat the air with my hand and say a hearty Pffffft.

Stitching by hand is yoga for my mind.

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I don’t know how many quilts my grandmother made. I’m currently tracking them down, photographing them, building a catalog of her work. She used her Singer treadle machine to make pieced quilts from patterns. I remember the whirr, the up and down of the treadle, the look on her face as she fed colorful scraps under the needle.

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I wonder if she preferred the machine for its speed. She was busy from sunup to sundown, and she moved like a rabbit – she had to to get everything done. Or maybe, it occurs to me since my husband retired, the sound of the machine formed a wall around her, giving her space to call her own the only way she could get it.

good things

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The museum exhibit closed Saturday. Nancy wasn’t one bit interested in the cloth bearing her drawings in stitch. (As you can see here and in Angela’s post, Nancy was much more interested in smiling for the birdie.) I didn’t think she would make the connection or be interested in the cloth version of her drawings, but i hoped.

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In Our Own Language, Set 1 is three panels, each measuring 59″ by 90″. Space being what it was, one panel hung in the main exhibit room, and the other two panels hung back in the museum’s classroom.

It was a moving exhibit. Time stood still, and tears fell abundantly as women paid homage to the women who inspire them . . . grandmothers, mothers, friends, teachers. You just never know how your words or deeds are going to change the course of somebody else’s life. So many touching stories, so many different kinds of art, all beautifully hung and displayed with space in between each piece to allow pauses needed to soak it all in.

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These beautiful eggs were made by Florida Museum for Women Artists’ Executive Director, a young Crystal and her Baba (grandmother).

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Just look at the beautiful edging on the cloth – this was stitched by Crystal’s Baba and imagine having something that your grandmother’s hands had stitched. Just look at the detail in these eggs and imagine creating those details by applying wax and dipping in dye then removing the wax. Just imagine the wisdom and stories shared in the time it took to make each egg.

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Mona, Nancy’s teacher, came and brought her mother, then spent the entire time sitting with Nancy (Andy did get her a chair after I took this picture), keeping a blank page in front of her (because Nancy doesn’t have the fine motor skills to turn one page at a time) and to keep her from wandering off. I may suggest turning one page at a time as something we could put on Nancy’s support plan. They’re always looking for specific skills to work on.

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It was interesting to be able to stand behind Nancy and watch the unfolding of her art from over her shoulder. I don’t know why, it just was. Though I didn’t have time to tell her about how and why I do things a certain way with Nancy, Mona instinctively knew to keep the drawings in order (I like to note the progressions, the development of each set of drawings) and to give Nancy a choice of only dark colors (to provide the contrast which makes for better scanned and printed images).

I had only two sketchbooks, and when I could see that Nancy was drawing faster than usual, I stepped outside and tore the pages of the second sketchbook in half. She finished the last drawing just as the last artist presented her work. Magical timing.

TheGirlsAndTheCloth(front row, l to r: Nancy (who finally notices the cloth) and Jeanne. back row, l to r: Mona and Angela. Photo by my husband/Nancy’s brother, Andy, who continues to offer unwavering and varied support. I don’t know what I’d do without him, and I hope I never have to find out.)

It was a good day. It was a very good day.

a wish, a big, fat, juicy wish

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once upon a decade
i wanted him to leap onto his white steed
grab his longest sharpest sword
and gallop off
to lop off the
ugly heads of the man who raped me
and the man who abused me.

in another decade,
i wanted him to say something
anything,
though it had to be anger.
he had to show me
with his words and his tone
and his venom
that he understood
as best he could,
that he hurt for me,
with me.

and now
after 40 years of togetherness
i am content
to have him quietly by my side
saying “you better get started”
to every idea that comes through
my bones.
to have him gently kiss me every night
EVERY night, i tell you.
to have him say the words “i love you”
in more ways than i can count.

it’s not our anniversary.
i usually only write about him on the day we met
or the day we married.
then again
maybe it is an anniversary of sorts.
an anniversary of recognizing
of setting aside
without ever forgetting, mind you.
of publicly declaring
that this man called andy
is number one
and takes up more space in my life than the other despicable men
will claim ever again.

[ ::: ]

i can’t wish it all away for jane doe
it happened
period.
i can’t wish her to set it aside,
this will be with her every hour of every day
of her life.
the best i can do is wish her a husband who may
never be able to talk with her about it
because he can’t fathom how men could
commit these vile acts;
a husband who may squirm when she writes or talks about this,
something she simply must do every now ‘n then;
a husband who might cringe when she yells at the tv
because he can’t go to the store
and buy something to fix,
to repair
what happened to her.

i can
and do
however
wish for her a husband
who,
even after 40 years of togetherness,
takes the dog for a walk and
returns bearing
a lacy leaf
or a heart-shaped rock
or a piece of wood
he thought she would like.

14,600 Days or 350,400 Hours or The Blink of an Eye – It’s All the Same to Me

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Forty years ago today, I walked into a bar in Underground Atlanta with a girlfriend and walked out several hours later with the man who would, in a mere six months, become my husband. Our forty years of togetherness have been marked by much change. We’ve birthed two amazing people, and we’ve buried too many to count. We’ve laughed and cried . . . and eventually laughed again. We’ve pursued our own interests and always come back home to tell each other all about it. We’ve shared interests, cheered each other on in individual pursuits, and worked side-by-side on all sorts of things.

An engineer by training, he views, interprets, and goes through the world in a more linear way than this quirky Aquarian. He is patient, I lean towards impulsive. He is literal, I see and hear metaphors everywhere. He is formulaic, I live like like a pot of soup, pulling sparklies in from every whichaway. He is quite thorough, I want immediate results and have a tendency to get bored and move on. We are good for each other.

It’s not always been easy, but it’s always been the two of us together, and that sure helps. I am not the same woman I was forty years ago, and he is not the same man who mixed me that Tom Collins. But laughter, space in our togetherness, listening, and holding hands continue to define our way of loving each other.

As he says, I’m the best he could do with the car he was driving at the time. And as I say, he’s the best I could do with the boobs I had at the time. Here’s to at least another forty, Andy.

Clink.

Cheers.

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Time and Timelessness, both

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Today my studio moved at about 70 mph. I’ve this new-found dedication to my creativity, you see, a new-found commitment to studio time.

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My daddy died twelve years ago today, but grief doesn’t wear a watch, you know. Oh how I wish I had that shirt and tie he wears in this picture (isn’t that a fabulous tie?), even a pair of pajamas or those khaki pants he wore when I was a wee little thing – something, anything he wore that I could stitch out my grief on, something I could wrap around me.

Grief Doesn’t Wear a Watch

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We walked into the hotel lobby last night to find it all decked out in its Christmas finery. As we walked past the brightly-lit tree on our way to the elevator, I felt something I’ve not felt in I don’t know how long – Christmas spirit. It’s been twelve years since my daddy died – his side of the family is bad to die during the holidays, and that’s why what little decorating I do now, I do it outside so I can see it, but only from afar.

This past year, I’ve allowed myself to grieve for Daddy and others, to grieve things that I cannot attach a noun to. Instead of trying to outrun the grief, instead of brushing it aside or turning away from it, I sat with it. I went to bed with it. To paraphrase Naomi Shihab Nye, I spoke to it till my voice caught the threads and I could see how big the cloth is. I’m not done yet, and I miss him now just as much today as I have every day of every year since.

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That’s me there in Daddy’s arms – I’m the one wriggling my way out of his lap.
Oh what I wouldn’t give for a do-over right about now.

I talk to him, you know. Write him letters, cry on his shoulder, try my best to remember the way it felt to have his arms wrapped around me. Sometimes he would hug me so hard, he’d bite his lower lip from the effort. With Daddy’s arms around me, I could be both vulnerable and invincible, knowing I was loved and protected and supported. I like to think he still does that – still loves me, protects me, supports me, though I try not to pester him with requests for assistance too much because it’s clear from the dreams I’ve had that he is quite content in his new life.

I know you pretty much read only train magazines, Daddy, but if you happen to look over my shoulder and catch my blog, know this: you still own real estate on my heart. And that hole in my heart? It’s packed with stories and smiles and love like you wouldn’t believe.

two sides to every ship

port (left) side of the ship:

 

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starboard (right) side of the same ship:

 

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there are fewer than 2 minutes separating the photos. i’m sure there’s a metaphor hidden in there somewhere, but i’m too tired to recognize it now.

 

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tonight was a night for swapping addresses and phone numbers
and saying good-bye-but-i-promise-i’ll-stay-in-touch
with new friends.
and you know what? i think we really will.

 

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our daughter sang to us in the piano bar tonight.
seems the perfect segue as we transition
out of one week into the next.

 

Lives Touching Lives, A Thread

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“I’d like to do something meaningful with what’s left of my life,” Mother says after telling me about the book she’s just finished reading about the work author Danielle Steele does with homeless people.

“What would you like to do?” I ask her.

“Well, I know a lot of women who are lonely,” she says, “and I was thinking that if I could take them to lunch that might be something.”

[ ::: ] [ ::: ] [ ::: ]

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For twelve and a half hours beginning at 3:30 a.m. today, Thursday 11/29/12, we are either sitting still in the middle of the Atlantic Ocean or cutting doughnuts, going around and around the area where a passenger is believed to have gone overboard.

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The U.S. Coast Guard joins in the search with two cutters, a helicopter, and a fixed-wing plane, and passengers watching from aboard the ship do what people do: they make up stories about the man gone overboard. Some say he was traveling with his wife and a child, others say he was traveling only with his wife. Some say he and his wife were in marriage counseling. Some say he was extremely drunk, others say they were with him and he was upbeat. Some wonder how long he could survive, factoring in such factors as water temperature, where he entered the water in relation to the ship’s engines, and the proximity of sea life. Some are frustrated at missing the beach stop – the last chance to get their toes in the sand – originally scheduled for tomorrow; some pray for his family. A sketch of his face remains on our tv screens throughout the day while he captain comes on the intercom periodically, pleading for anybody with any information to come forward, especially the person who first reported the incident in the dark thirty hours of the morning. People spend the day glued to one side of the ship or another – some with binoculars – hoping to be the one to call out “There he is! I see him!” It’s a call nobody gets to make.

My daughter and I go see a movie late tonight – we’ve seen this movie several times, but we need the quiet and distraction. My husband fetches us cookies while we are gone.

[ ::: ] [ ::: ] [ ::: ]

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He asks to join a trivia game team, and she asks me about my stitching, where did my ideas come from, how long will it take me to finish – that kind of thing. He walks more slowly now, his back rather bent, and she gets around via a motorized scooter. Stanley Gray had just come out of the service in 1945, and when he went to a resort in New York to celebrate July 4, he asked the pretty young woman named Judith to dance.

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The following year, he asked her to marry him, and she said “Yes” – just what he was hoping she’d say. “Yesterday was our 66th wedding anniversary,” he said, standing a little bit straighter in the telling. “We’ve still got each other, and we still have fun. You can’t ask for more than that.”

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(Today I’m posting this here and over at Gone With The Thread. I don’t ever double-post, but today, well today I just had to.)

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