+ Her Barefoot Heart

Tag: stitchings (Page 7 of 36)

Relics or Legacy?

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I don’t know whose hands stitched this frayed beauty.
There is no name, no date, not even initials,
though there is definitely evidence of use,
and, as I choose to believe,
love.

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Now that I’m living squarely on the finite side of infinity,
I find myself wanting to create a tangible legacy
breadcrumbs
a way for the kids to remember me.

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Having had no career
having become no expert
having received no honors
or gold watches,
these little Hymns of Cloth I stitch
seem of vital importance.

To me.
Maybe not to my children, though.

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Making labels for each Hymn of Cloth
is on my list for 2015 anyway.

Just in case.

Nancy and Jeanne: Alike . . . But Different

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Jeanne hates P.E. and avoids it at all costs.
Nancy boards the bus with a smile.

NancySurveysFirst

Jeanne walks into the gym
and finds the nearest corner to hide in.
Nancy walks in, surveys the scene,
then finds herself a comfortable spot along the edge.

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Jeanne hates touching the dirty, rough, grimy balls.
Nancy doesn’t mind playing . . . once she’s good and ready.

Jeanne makes sure she stays in at recess when Red Rover or Dodge Ball is played.
Nancy is willing to play Dodge Ball,
but she sees no need to run the bases like they told her to.

Jeanne is your classic over achiever.
But our Nancy? Not so much.
You’ll notice how she throws the ball
away from her teacher – at least initially,
indicating a complete lack of concern for such dreaded things
as grades or (coveted) distinctions as teacher’s pet.

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People clamor all over each other for a chance
to hurl the hard, gritty balls at Jeanne
who just curls herself up into a small knot
and vows “never again”
while the teacher rides around the gym on her golf cart,
yelling belittling motivational phrases through the bullhorn.
Nancy’s student teacher doubles as an angel,
patiently staying with her, then
using his body to shield her from incoming balls.

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On the rare occasion she actually went to P.E. (which was never),
Jeanne was graded on her performance (or lack thereof)
as compared to others in the herd.
Nancy worked one-on-one with Michael Jones
(a student teacher in the Bethune-Cookman College class
called Adaptive Physical Education
conjured and taught by Timothy Mirtz).
Michael took the assignment from his professor
along with the information he’s learned in the classroom
and adapted it to fit Nancy’s special and unique needs.

I love the word “adaptive”, don’t you?
When I’m queen, it’ll be the first word in every course title
because let’s face it,
one thing Jeanne and Nancy do have in common:
we both . . . we all . . . have unique, special needs,
some are just more obvious than others.

~~~~~~~

P.S.: Tim asked me to say a few words to the students at the end of the class. I led by telling them how I found their trash talking impressive. It was impressive . . . and not just because of the intensity or steady stream of the trash talk. See, the thing is, with the trash talking, the student teachers treated these special students like “normal” folk, and trust me: this very important act didn’t go unnoticed by anybody in that gym. They may not have noticed it consciously or given words to it, but they noticed. Oh yes, they noticed.

Onward

Sometimes onward means going back
or stepping into The Great Unknown . . .

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Recent photos of Nancy taken by Mona Diethrick
indicate that she’s moved from drawing to something else.
Arranging?

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Bringing order?

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Maybe a type of mosaics?

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One thing’s for sure: her work as an artist is evolving.
And I’m just tickled
and intrigued
and thrilled.

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Meanwhile back on the ranch,

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I pick up where I left off on
In Our Own Language 3,

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restitching the 50 drawings
I removed to give me a nice, generous border.
Is it just me, or are the days getting shorter?
And I don’t mean on account of the season or time change.
I distinctly remember getting more done
in the days of years gone by.

~~~~~~~ Backstory ~~~~~~~

Since June 2012:
She, Nancy, my developmentally disabled sister-in-law draws.
I, Jeanne, the woman who flat-out loves her, stitch her drawings.

Click here to see more In Our Own Language 1
and here for In Our Own Language 2
and you guessed it – here for In Our Own Language 3.

~~~~~~~

This post is part of Nina-Marie’s Off the Wall Friday.

A Cloth Called Only Love Survives

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My son Kipp married Marnie on May 24 of this year.
Their border collie / my granddog Otto, was the ring bearer.

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It was a beautiful time . . .

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a fun time . . .

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a hectic time. Chaos ruled. Feelings rose to the surface, and some were bruised. The weather threatened. The best laid plans crumbled. As is often the case, the big life moment party passed quickly while the bills and tiredness lingered long. Despite all that, I wanted to create a cloth to commemorate this once-in-a-lifetime event.

So . . .

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I transferred over 400 photos to fabric

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then I stitched them to fabric used as tablecloths at the anti-rehearsal dinner The Engineer and I hosted the night before the wedding. The theme for that evening? Things That Hold Stuff Together Comma Vintage.

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As a special surprise for that night-before dinner (I don’t think calling it dessert is too much of a stretch), I rewrote the lyrics to One Day More from Les Mis, and had members of the two immediate families gather and rehearse for one hour before performing it – complete with blocking and choreographed movements, I’ll have you know – as a flash mob at the end of the evening.

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I’m guessing it’s because they were stunned, but getting only applause at the conclusion of our number, I took the microphone and, borrowing the words of my brother-in-law Donn, informed the audience that we were going to perform that song over and over and over again till we got the Rousing Standing Ovation we so richly deserved. We got it, baby. We got it right then.

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Back to the cloth ::: using the flag (because what’s One Day More without a flag) as the core, I cobbled together other blocks of left-over tablecloth fabrics (and yes, those are the lyrice – my lyrics – also transferred to cloth and stitched to the flag),

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then stitched the more than 400 photos I’d transferred to cloth (photos taken by me, by The Engineer, by my brother Jerry, my sister Jan, and by the bride and groom’s photographer),

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and added embellishments like buttons and ribbons from corsages and centerpieces, along with handles from goodie bags and anything else stitchable.

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I used only what I had on hand, you see,

and I made it work, even when things didn’t come together neatly and easily and wind up looking like they did in the image I had in mind when I started stitching.

As with most of my hymns of cloth, I did not attach a binding, instead leaving the edges unfinished and softly frayed, perhaps unraveling just a little bit here and there.

and I decided to not add a backing fabric, preferring to make visible the back side, the often unseen side, the side that bears the knots and seams that hold things together.

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As I stitched along, the cloth got bigger and bigger and bigger – more than 131″ wide and I can’t even measure the height – eventually too big to see in its entirety. Too big to see all at once.

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Having still more fabric left over – even after all the photos and flag and the small 9-patch pieces surrounding the flag – I created banners, each bearing what I consider to be a necessary component of a good, healthy, lasting marriage. (Love, Laughs, Mercy, Refuge, Fun, Awe, Space, Gumption, and Pluck) Banners that became pillars of support when I realized one morning in the dark thirty hours of stitching that I wasn’t just stitching a cloth to commemorate the wedding, I was stitching a marriage.

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And what of all the pings and chaos and disappointments?
They slowly, quietly fall away in the days since last May, so that Only Love Survives.

Champagne

Only. Love. Survives.

Things We Now Know, Things We Still Don’t Know

Tuesday, 26 Aug 2014

We now know that . . .

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Dublin has doors that are to die for.

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Guinness and a Jameison-and-7
make for a fine way to close out the day.

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Dublin is home to faces in trees

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and faces on the sidewalk.

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Flowers being sold in stalls
in the middle of the street
is a fabulous thing to happen upon.

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Jeanne’s arms need to be longer,
to snap better selfies.

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There are (other) people who will
paint themselves from head to toe
and pretend to be somebody else
in public.

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We now know what The Liffy looks like

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what a snug is.
(It’s a small, closed-off room in a pub
reserved specially for the ladies.)
(Is, too. My new best friend Deidre
told me so. I’ll introduce you to her later.)

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that Liberty of London fabrics exist.
It feels and drapes like silk,
but it’s 100% cotton.

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(Souvenirs)

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(Jeanne and her new best friend, Deidre)

~~~~~~~

We still DON’T know . . .

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what these marks stamped in the Dublin sidewalk mean

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or how to solve this sidewalk mystery

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or what this mark on the fence means

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or what this Dublin nest is home to

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Why this spring-with-a-handle looking thing is embedded in the sidewalk

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or the name of this tiny little church.

or (and i have no photo of this one)
what we did to make us lucky enough to attract
the attention of Don, the Irish fella
who invited himself to sit with us
then engaged us in the most interesting conversation
of the philosophical variety.
He gave me his address as he took his leave to go to work,
asking if I’d send him the book I’m currently working on.

~~~~~~~

DublinGaietyGraftonStreet

Oh, one more thing we DO know:

This, this right here is what we had today: Gaiety.

~~~~~~~

Signing off with something we haven’t seen for eons:

DublinTvTestMode

(Hint: It’s a television test pattern.)

~~~~~~~

To read from the beginning of Another Great Adventure 2014, click right this way

or

To go to forward, click right this way

It’s Not Exactly an Encore, but It Kinda’ Helps to Think of It That Way . . . Kinda’.

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I ran out of drawings before I ran out of fabric.
I considered just stopping, letting that be that.
I considered cutting off the blank bottom and going with a flat tire look.
I considered stitching some of the drawings a second time – maybe as a mirror image – but none of those ideas felt right, so I waited.

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Then one day I considered taking out the stitcherings nearest the border of the fabric, giving the cloth an extra wider border that just might be visually pleasing and might also come in quite handy when hanging it for viewing.

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Tis an idea that that felt right – quite right – even though it meant spending 23 hours (yes, I counted) removing the stitcherings then re-stitching some 53 of the drawings a second time.

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It may not be fun, but it is the right thing to do. Isn’t that usually the way?

~~~~~~~

I came across this bit by Mary Oliver, and it seems to fit Nancy quite nicely: “Someone I knew once gave me a box of darkness. It took me a while to realize that this was a gift, too.”

the three PR’s

Photo 1

the attorney’s father was a probate judge who never did his own will. with six children and no will, there’s trouble. hurt feelings. old hurts and memories and grudges rise quickly to the surface. they are not speaking, the children, and everybody including us, wonders why a man who dealt with wills for a living wouldn’t take the time to draw up his own. the shoemaker’s children go barefooted, and the probate judge’s children feud.

Photo 4

not a fun way to spend a morning – even with the story and the walk the engineer and i treated ourselves to afterwards (the source of these photos) – but a necessary expenditure of time.

here’s the thing: drawing up a will, creating a living will and powers of attorney (healthcare and property) doesn’t bring on your death. it simply means you are smart enough to know that you will die one day and that you love enough to face that irrefutable fact and show love in a way you never thought about before.

do you love yourself enough to draw up a living will so that your very existence doesn’t fall into the hands of a medical staff who don’t even make eye contact?

do you love your heirs enough to draw up a will so that all you’ve worked for and created doesn’t get divvied up and disposed of by the government?

do you love your support people, be they family or friends, enough to draw up powers-of-attorney so that they can tend to things for you without resistance and interference from strangers?

Photo 3

we have a God Forbid book, i tell the attorney to stop him as he launches into Creating A Will 101. i tell him about how i see this as love – living love, leaving love. i tell him about how as a personal historian and an end-of-life doula i know that people just flat out refuse to put themselves in touch with their own mortality. even the smartest among us, i’m talking about.

i tell him about the God Forbid (as in God Forbid you ever need this information) book i created eons ago for the children telling them everything they need to know – bank accounts, memberships, software, who to call lists, medical info, location of keys and important papers, and well, you get the idea. i tell the attorney how we keep it updated and have annual meetings with our children every thanksgiving (as in we’re so thankful we’re here to tell you about it again this year). he is suitably impressed and we are able to skip ahead to the changes we want made. it’s not that we have much, it’s just that i want our children to have time to grieve. yes, really.

it’s not just the heirs who have all sorts of bric-a-brac float to the surface when dealing with wills. i find myself thinking about who’s been most attentive, who makes an effort to stay in touch, who’s responsible. do i want to use a will to reward? do i want to take the easy and nice way out and just divide everything equally (which feels an awful lot like socialism to me)? some things are obvious and require no angst decision making. the child who always baked the cakes gets the bowl and spoon my grandmother used to make cakes with. the child who laid in the floor laughing as we read bedtime stories gets the books. i’m not saying it’s the right or wrong approach, i just think it’s good to be clear and clean about these things, about the motivation, even if only on the inside. or, if you want to be like me, right out in the open on your blog for the whole galaxy to see. when preparing these important documents, it’s important to bring the right amount of emotion and good sense, to be sure that decisions aren’t made solely on emotions or logic.

a note, though: probably not a good idea to give the child in prison power of attorney, and that’s not a character assault, it’s a matter of needing to have someone who can show up in a jiffy. just saying.

Photo 2

years ago, i began to ask the children what, in particular, they wanted when we die. even though it might be tinged with anticipation, i’m hopeful that the items will be imbued with even more meaning, memory, sentimental value knowing that they will own it one day and i’m now using it regularly.

i make a list and write letters of explanation, just in case.

this year i’ll ask if either of my chiclets want my journals or any of my hymns of cloth. it’s a question i dread asking because i don’t want them to feel obligated to say “yes” even though i deeply and desperately hope to year a quick and hearty “yes”. if you want to know the truth, i want them to argue and fight over the journals and cloths. at least a wee little bit.

will they want pieces from In Our Own Language 1? or 2? or 3? will the Rinse Cycle series prick their interest with tales of pivotal epiphanies in a woman’s life?

Photo 1 1

will they want pieces from the My Kitchen Table series in which i create cloths for each person who’s nourished my life in some way? like this plate for my maternal grandmother. biscuits from scratch, cake contests, quilts, piano, flowers growing everywhere, feather bed, the irregular whir of the treadle sewing machine, gardens, canning, clothes hung on the line to dry, hand lotion that smelled of rose water. she never drove a car, but she had her very own riding lawn mower, and let me tell you what: she enjoyed using it, always wearing her straw hat, both hands kept on the wheel at all times. i don’t ever remember seeing her wearing pants. she taught me music and sunshine and planning for the future.

preparing for the future.
preserving the past.
not a bad way to spend the present.

Scratch

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This weekend,
I suffered a flare-up of the ever-familiar
doubt,
fueled and fanned by the never far away question
“Do I even have a voice to call my own?”

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Having spent my life as a teacher,
a mother,
a wife,
a daughter –
having written plenty of personal histories
been a freelance graphic designer helping folks look good in print
edited books penned by other women
now stitching Nancy’s drawings,
I can’t help but wonder:
do I lose my voice by giving other women their voice?

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Is my voice one of back-up,
second string,
bridesmaid?
Is that as good as it gets for me?

My maternal grandmother made biscuits from scratch three times a day.
Folks devoured them enthusiastically (even when cold)
and praised her name with reverence and awe.

Do I have anything original and worthwhile to say from scratch?

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Having almost finished In Our Own Language 3 (shown in photos above),
I begin stitching In Our Own Language 4.
95 drawings made in November 2012
in which Nancy wrote her name
then covered it up,
camouflaged it,
hid it.

On Creative Authority

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I am gobsmacked with these drawings.

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with Nancy’s use of color.

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It’s obvious that she’s making choices.
She’s also filling the page, and that’s significant.

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I just had no idea how on earth I’ll stitch these drawings, so I turned a few into fabric then stitched over it by hand. There’s still a learning curve ahead of me to avoid the pixillation of the images, but I’m rather liking this choice, this direction I’m taking with In Our Own Language 10. Yes, I’ve skipped from In Our Own Language 3 to In Our Own Language 10 cause when ideas and inspiration comes to visit, I invite them in for tea. (Sweet tea, of course, in a big ole’ Mason jar that sweats in the summertime heat of The South. But you knew that.)

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The vessel I stitched is a shape Nancy uses a lot.
Sometimes with pencil strokes,

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sometimes with space.

I want to do more with that shape, with that vessel.

 

I reorganized The Dissenter’s Chapel (a.k.a. my studio) this weekend. Had to take down the quotes scribbled on slips of paper that decorated my Wall of Fortitude to make room for something else. This is one of my all-time favorites:

“Creative authority is when you believe in yourself. You don’t hedge it, you don’t say ‘but it’s not true for everybody’ – you say ‘This is the way it is’, and not everybody sees it.” Ellie Epp, the faculty advisor I worked with my third semester of graduate school, wrote me that.

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