meet Evidence, the hymn of cloth that documents this year of my life – the year dedicated to building a body that works and a body of work – beginning on 11/15/13. (because every day is new year’s day, right?) it’s color coded by what elements constitute, for me, a day well spent:
red = moving (as in walking, yoga, etc.)
orange = making (stitching, mostly, but also collages and photographs)
aqua = marking (writing, as in journals and books and blog posts)
purple = laughing (as in the surprises and wonders of the day that don’t go unnoticed)
i was filled with excited anticipation when i started work on Evidence back in november, and decided to use my sewing machine (a christmas gift from my husband 40 years ago, bought and paid for with winnings from a radio show contest) instead of stitching it all by hand as is my standard, my preference, my love. it quickly turned unfun, though, on account of the bulk. and if all goes according to plan, the bulk will become greater and greater.
today i pushed up my sleeves and set about getting caught up. with the walking foot on the machine, i put an audio book on and started, telling myself that i would not abandon this project and i would make this enjoyable and worthwhile. period.
as i sewed, i noticed that i had a tendency to push and pull the fabric in an effort to speed things up. sewing was much easier and more enjoyable when i relaxed and worked with the machine instead of against it. ditto when i quit disregarding and underestimating the flexibility and forgiving nature of fabric – when i let it be what it is instead of trying to make it something else, like a glass or an egg. this may be a transferable epiphany.
later, along comes this David Walcott poem titled Love After Love sent by my friend tom:
The time will come
when, with elation
you will greet yourself arriving
at your own door, in your own mirror
and each will smile at the other’s welcome,
and say, sit here. Eat.
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart
to itself, to the stranger who has loved you
all your life, whom you ignored
for another, who knows you by heart.
Take down the love letters from the bookshelf,
the photographs, the desperate notes,
peel your own image from the mirror.
Sit. Feast on your life.
which is what often happens when you capture and preserve your life stories . . .
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